The Angel at the Tomb, 1870

Julia Margaret Cameron :: The Angel at the Tomb, 1870. Albumen silver photography mounted on cardboard. | src Moderna Museet

Ophelia study n. 2 by Julia Margaret Cameron, 1867

Julia Margaret Cameron :: Ophelia Study n. 2, 1867 | src George Eastman Museum

Devotion (Sleeping child), 1865

Julia Margaret Cameron :: Devotion (sleeping child) , 1865. Albumen print, printed ca. 1865. Signed and titled “From Life- My Grandchild Archie, Aged Two Years and Three Months” in ink with Colnaghi blindstamp on print recto. Published in Howard Greenberg Gallery in 25 pictures, 2007. | source l’œil de la photographie
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Julia Margaret Cameron :: Mrs. Herbert Duckworth, 1867 / src: Lensculture

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Julia Margaret Cameron :: ‘I Wait’, 1872

Albumen print by Julia Margaret Cameron (1815-1879) identified as a portrait of Rachel Gurney. Cameron set up a private studio at her Isle of Wight home at the age of 48, after her daughter gave her a camera, and she became expert at using the collodion wet-plate process.

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Julia Margaret Cameron :: Paul and Virginia (models: Freddy Gould and Elizabeth Keown), albumen print, 1864

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Julia Margaret Cameron ::

Vivien and Merlin, UK, 1874 / src: Harvard Art Museums

‘Vivien and Merlin’ was originally created at the poet Alfred Tennyson’s request, to illustrate a new edition of his Idylls of the King, a retelling of the legend of King Arthur. Cameron went on to produce a two-volume set of original prints, including this scene in which Vivien seduces Merlin in an attempt to charm him into revealing the secrets of his power. [quoted from source]

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Julia Margaret Cameron :: Untitled, ca. 1867 – Albumen silver print – The Museum of Modern Art, New York, via Artblart

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