The Mask (Josephine Schwarz), 1926

Jane Reece :: The Mask. Posed by Josephine Schwarz, 1926. | src Dayton Art Institute
view related post with alternative rendition of this photograph

Adagio, 1928-1930

Jane Reece :: Adagio, ca. 1928-1930. | src The Nelson Atkins Museum of Art

Holding on, 1932

Jane Reece :: Holding on, 1932. | src Daytona Art Institute

Tina Modotti, circa 1919

Jane Reece :: Tina Modotti, ca. 1919. Platinum print. | src Sotheby’s | alternative rendition of this photograph

Triangle Composition (Dancer Harry Losée), 1922

Jane Reece :: Triangle Composition (Dancer Harry Losée), 1922. | src MoMA

Spaces (Harry Losée), 1920-22

Jane Reece :: Spaces (Dancer Harry Losée), 1920-1922. / sources wikiwand and Library of Congress / PH Filing Series Photographs / Clarence H. White School of Photography

Tina Modotti, ca. 1920

Jane Reece :: Tina Modotti, I Have Drowned My Sorrow in a Shallow Cup, ca. 1920. Platinum print. | src Elizabeth Houston Gallery

The Mask (Josephine Schwarz)

Jane Reece :: Josephine Schwarz, The Maskmaker (aka The Mask), 1924-1929 (signed and dated on bottom right). Courtesy of Special Collections & Archives, Wright State University via Ohio Virtual Dance Collection / Exhibits (2018)

Interpretive Dance, 1922

Jane Reece :: Interpretive Dance, 1922. | src billyjane. From Federica Muzzarelli, “Il corpo e l’azione. Donne e fotofrafia tra otto e novecento” (Atlante, Bologne, 2007) [ trad.: Femmes photographes – Émancipation et performance (1850-1940), Ed. Hazan, 2009]