Itta Penzo · Bridge on demi-point N. Vlas’evsky ~ Itta Penzo. Bridge on demi-point, 1926 © Collection Otton Engel’s repository, Moscow. Original photographic print, signed: “Vlas’evsky”. Catalogue of the second “Art of Movement” exhibition, 1926 | src Nicoletta Misler : The Russian Art of Movement 1920-1930 N. Vlas’evsky ~ Itta Penzo. Bridge on demi-point, 1926 © Collection Otton Engel’s repository, Moscow | src Space Embodied. The Russian Art of Movement 1920-1930 at Het Nieuwe Instituut Itta Penzo in the role of TaiakhAuthorun regard obliqueIn relation to1920sNude bent back by VetrovskyAuthorun regard obliqueIn relation to1920sStudy II, ca. 1928Authorun regard obliqueIn relation to1920s
Itta Penzo in the role of Taiakh N. Vlas’evsky ~ Itta Penzo in the role of Taiakh in the ballet Joseph the Beautiful, 1926. Artist’s photographic print, signed: “Vlas’evsky”. Music by S. Vasilenko, designs by B. Erdman and choreography by K. Goleizovsky for the Odessa Theatre of Opera and Ballet, Catalogue of the second “Art of Movement” exhibition, 1926 | src Nicoletta Misler’s “The Russian Art of Movement 1920-1930” N. Vlas’evsky ~ Itta Penzo. Bridge on demi-point, 1926. © Collection Otton Engel’s repository, Moscow. Original photographic print, signed: “Vlas’evsky”. Catalogue of the second “Art of Movement” exhibition, 1926. | src Space Embodied. The Russian Art of Movement 1920-1930 at Het Nieuwe Instituut Itta Penzo · Bridge on demi-pointAuthorun regard obliqueIn relation to1920sSalome (1912-1913) by DrtikolAuthorun regard obliqueIn relation to1910sTänzerin Lea Niako, 1920sAuthorun regard obliqueIn relation toAtelier Willinger
un regard oblique 