

images that haunt us








Leendert Blok experimented with color process and with close-up shots that filled the screen. A pioneer of color photography, Blok worked closely in the 1920s with flower producers in The Netherlands, who were developing many new floral varieties and made high-quality color prints for their product catalogs.
Silent Beauties. Fotografien aus den 1920er-Jahren, Hatje Cantz, 2015.
Les extravagantes, portraits of flowers shot in autochrome by Lendeert Blok. Xavier Barral, 2015.



(*) Note: not orchids but irises; vase with irises. Unless they were a variety of orchids that look very much like irises. If anybody happen to have the knowledge to disambiguate, please drop a line below. Thank you!

“Le sujet le plus banal, quelques fleurs dans un vase par exemple, devient nouveau par la façon dont les lumières y sont groupées et par l’extrème variété des valeurs. (…) Pour donner plus de richesse à ses compositions, l’auteur [Laure Albin Guillot] les a tirées sur fond or selon un procédé dont elle a le brevet.”
Jean Gallotti, ‘La photographie est-elle un art? Laure Albin-Guyot [sic!]’, dans L’art vivant, No. 99, 1er février 1929, p. 138. [Quoted from Sotheby’s]

David Alan Harvey :: Norfolk, Virginia, 1966 [From the series Tell It Like It Is]
more [+] by this photographer

Hungarian-born American actress and singer Mártha Eggert, ca. 1935. Vintage postcard. / source: virtual-history-movie

Frida Kahlo ::
This photo of Diego’s eye is one of the few attributed to Frida Kahlo, 1936 [From a selection of personal
photographs, curated by Mexican photographer Pablo Ortiz Monasterio, exhibited for the first time in the US at an art
gallery in Arlington, Virginia – the twin town to Kahlo’s home town in
Mexico: Coyoacan.] | source: DailyMail