Paul Redonnel :: Les Chansons Eternelles. Nouvelle edition illustrée. Paris, Bibliothéque Artistique et Littéraire, 1898. The illustrations include lithographs by Mucha, Berchmans, Lobel, Cause and etchings by Ranft, Heran and Rassenfosse. | src Bassenge Auktionen
Arthur Grunenberg :: Vera Fokina as Ha-Tor in “Cleopatra”. Partly colored etching on handmade paper, signed in pencil below the image on the right: “A. Grunenberg” and inscribed “P XLV / 111”. Around 1914. | src Bassenge Auktionen
Hans Grohs :: Das ewige Werden. Original-Holzschnitte. Heide, Verlag Heimat und Schwert Emil Sund, 1932. | The Eternal Becoming. Original woodcut. Heide, Verlag Heimat und Schwert Emil Sund, 1932. | src Bassenge Auktionen
Man Ray (Emmanuel Radnitzky) :: La cathédrale aux œufs. Gravure et aquatinte originale sur papier Japon. Signée par l’artiste à la mine de plomb. Informations extraite de l’ouvrage “Electro-Magie”, Edition Georges Visat, Paris, 1969. | src Drouot digital
Félicien Rops :: À un dîner d’athées (The Dinner of the Atheists). Graphite, pencil and brown chalk, partly wiped, erased and scratched, on white primed paper, drawn up. Around 1883-85. | src Bassenge Auktionen
The present sheet belongs to the group of drawings that the Belgian artist Félicien Rops created from around 1883 for the short story collection Les Diaboliques by Jules Barbey d’Aurevilly (1808-1889).
Félicien Rops (Belgian, 1833-1898) :: At an Atheist Dinner-Party, 1882–89. Heliogravure retouched with aquatint and soft varnish (vernis mou) in black on thick cream wove paper. | src AICFélicien Rops (Belgian, 1833-1898) :: At an Atheist Dinner-Party, 1882–89. Heliogravure retouched with aquatint and soft varnish (vernis mou) in black on thick cream wove paper. | src AIC