Tag: illustration

Les Sakharoff, 1920s-1930s

Clotilde & Alexandre SAKHAROFF. Programme, late 1920s – 1930s. (dessin: 1917) | src interencheres
Alexandre et Clotilde SAKHAROFF. Programme, 1930s. (dessin: 1935) | src interencheres

Lépidoptérologie comparée, 1904

Lepidoptera. Études de lépidoptérologie comparée by Charles Oberthür (1845-1924). Publication date: 1904 Publisher: Rennes : Impr. Oberthür. | src Smithsonian Libraries on IA
Lepidoptera. Études de lépidoptérologie comparée by Charles Oberthür (1845-1924). Publication date: 1904
Publisher: Rennes : Impr. Oberthür. | src Smithsonian Libraries on IA
Lepidoptera. Études de lépidoptérologie comparée by Charles Oberthür (1845-1924). Publication date: 1904 Publisher: Rennes : Impr. Oberthür. | src Smithsonian Libraries on IA
Lepidoptera. Études de lépidoptérologie comparée by Charles Oberthür (1845-1924). Publication date: 1904
Publisher: Rennes : Impr. Oberthür. | src Smithsonian Libraries on IA

Melancholy, Pain, Resignation

Alfredo Baruffi :: La Melanconia, Il Dolore, La Rassegnazione. | Melancholy, Pain ans Resignation, 1905. | src Italia Liberty on Google Arts & Culture
A. Baruffi :: La Melanconia, Il Dolore, La Rassegnazione. | src Italia Liberty on Google Arts & Culture

Das getupfte Ei, 1907

Oskar Kokoschka :: Shepherd, Stag and Fox (Hirt, Hirsch und Fuchs). Illustration for the shadow play The Speckled Egg (Das getupfte Ei) (plate 1) from the First Theater Program of Kabarett Fledermaus (Cabaret Fledermaus), 1907. Designed by Carl Otto Czeschka, this program exemplifies the then-current idea of the Gesamtkunstwerk, or total work of art. | src MoMA

The Dancer Gertrude Barrison

Fritz Zeymer :: The Dancer Gertrude Barrison (plate 3) from the First Theater Program of Kabarett Fledermaus (Cabaret Fledermaus) 1907. In October 1907, the Wiener Werkstätte opened the nightspot and performing arts space. Designed by Carl Otto Czeschka, this program exemplifies the then-current idea of the Gesamtkunstwerk, or total work of art. | src MoMA

Kreuzigung, ca. 1900

Maximilian Kurzweil :: “Kreuzigung” | “Crucifixion”, ca. 1900. Black pen and brush, colored chalks on wove paper; verso figure studies in black chalk. With monogram stamp lower right. Provenance: Felix Landau Gallery, Los Angeles. | src Bassenge and issu

In Ectasy (before 1912)

Adolf Hirémy-Hirschl :: In Ekstase (Studie zu “Sic Transit”). In Ecstasy (Study on ‘Sic Transit’). Charcoal and white chalk on blue-gray laid paper. Preliminary study for the monumental polyptichon “Sic Transit” (1912) in the Galleria Nazionale d’Arte Moderna in Rome. The drawing prepares the ghostly female figure that can be seen in the left panel in the right background. – Provenance: From the artist’s estate (stamp on verso). Galleria Carlo Virgilio, Rome (stamp on verso). | src invaluable and Bassenge

Ida Rubinstein par G. Tribout

Dessin sur les gestes de Mademoiselle Ida Rubinstein par Georges Tribout. Précédés d’une glose de Charles Batilliot. Paris, Le Belle Édition, ca. 1912. | src Arenberg Auctions
Dessin sur les gestes de Mademoiselle Ida Rubinstein par Georges Tribout. Précédés d’une glose de Charles Batilliot. Paris, Le Belle Édition, ca. 1912. | src Arenberg Auctions
Dessin sur les gestes de Mademoiselle Ida Rubinstein par Georges Tribout. Précédés d’une glose de Charles Batilliot. Paris, Le Belle Édition, ca. 1912. | src Arenberg Auctions