R. Anning Bell :: Liverpool Art School. From: Posters; a critical study of the development of poster design in continental Europe, England and America by Charles Matlack Price (1913) New York: G.W. Bricka. | src Smithsonian Libraries @ internet archive
Alphonse Mucha :: Nymph in front of a Daffodil frieze, from Documents Decoratifs par A.M.Mucha and published by Librairie Centrale des Beaux Arts. Paris, France, 1902-03. | src V&A Museum
Maxfield Parrish :: Scribner’s Magazine (Poster), August, 1897. From: Posters; a critical study of the development of poster design in continental Europe, England and America by Charles Matlack Price (1913) New York: G.W. Bricka. | src Smithsonian Libraries @ internet archiveMaxfield Parrish :: Scribner’s, August 1897 (Poster, chromolithograph) | src MFA Boston
John Cecil Clay :: Dramatic Mirror Cover, December 1907. From: Posters; a critical study of the development of poster design in continental Europe, England and America by Charles Matlack Price (1913) New York: G.W. Bricka. | src Smithsonian Libraries @ internet archive
Yoshio Markino :: Autumn. From: Posters; a critical study of the development of poster design in continental Europe, England and America by Charles Matlack Price (1913) New York: G.W. Bricka. | src Smithsonian Libraries @ internet archive
J. W. Simpson :: The Book of Bookplates (1900). From: Posters; a critical study of the development of poster design in continental Europe, England and America by Charles Matlack Price (1913) New York: G.W. Bricka. | src Smithsonian Libraries @ internet archive
Alphonse Mucha :: Médée (Sarah Bernhardt), 1898. From: Posters; a critical study of the development of poster design in continental Europe, England and America by Charles Matlack Price (1913) New York: G.W. Bricka. | src Smithsonian Libraries @ internet archive
Gaetano Piccini :: Grotesque Head with a Large Ear and an Open Mouth Looking to the Right within a Circle, 1727. Pen and brown ink. (Photo: Sepia Times – Universal Images Group). | src and hi-res Getty Images