Vu magazine nº 30, 1928

Studio Lorelle :: Brigitte Helm, la vedette du film “L’Argent”. VU magazine nº 30, 10 octobre 1928. | src Musée Nicéphore Niépce

Studio Lorelle :: Brigitte Helm, 10 octobre 1928. Published in VU magazine.

Anna Sten as Nana, 1934

Anna Sten as Émile Zola’s heroine, Nana, in Nana (1934) dir. by Dorothy Arzner and George Fitzmaurice, produced by Samuel Goldwyn. | src dr macro and IMdB

La Jana, 1939-1940

La Jana. German postcard by Ross Verlag, nº A 2504/2, 1939-1940. Photo: Quick / Tobis. | src Truus, Bob & Jan Flickr

Portrait · Verna Skelton · 1923

Margaret Watkins ~ Portrait Study (Verna Skelton), 1923. Joseph Mulholland Collection (Glasgow) | src The Guardian

This portrait of Verna Skelton is emblematic of Watkins’ portraits. We see the immediate reference to the Dutch painters, and her extraordinary ability to illuminate her subjects.

A fresh angle: The revolutionary gaze of Margaret Watkins – in pictures: Canadian photographer Margaret Watkins rejected traditional gender roles to become a pioneering modernist photographer with Renaissance flair (The Guardian)

Margaret Watkins ~ Portrait Study (Verna Skelton), 1923 | src ODLP ~ l’œil de la photographie

Luli von Hohenberg, 1936

Luli von Hohenberg. Die Bühne 1936, Heft 418 (back cover). | src ÖNB

Muriel, Zürich, ca. 1932

Martin Imboden :: Muriel, Zürich, um 1932. | src Sammlung Fotostiftung Schweiz

Axi Bleier, Wien, ca. 1933

Martin Imboden :: Axi Bleier, Wien, um 1933. | src Sammlung Fotostiftung Schweiz

Martin Imboden :: Axi Bleier, Wien, um 1933. (detail)

Portrait of a woman, 1942

Berenice Abbott :: Portrait of an unknown woman, April 4, 1942. Four gelatin silver prints mounted on cardboard, made with Supersight camera. | src Ryerson Image Centre

Grete Hoyer, ca. 1933

Martin Imboden :: Tanzschülerin Grete Hoyer, Wien, um 1933. | src Sammlung Fotostiftung Schweiz

Mädchen von Timor, 1932

Martin Imboden :: Mädchen von Timor, 1932. | src Sammlung Fotostiftung Schweiz