Emil Otto Hoppé :: Tamara Karsavina as the Firebird in ‘L’Oiseau de Feu’, London, England, 1911 / src: E.O. Hoppé
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Tag: headgear
Eugeni Forcano · on Doves
Emil Otto Hoppé :: Lubov Tchernyshova, Zygmund Novak and Vera Nemtchinova in ‘Astuzie Femminili’, 1920 / src: E.O. Hoppé: Ballet Ruses
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Cutting from a scrapbook created by Gilbert Barker: photograph of
Tamara Karsavina in the title role of Fokine’s The Firebird [L’Oiseau de
feu], 1910.
Karsavina’s costume was designed by Léon Bakst; it presented her in a
tall plumed headdress adorned with long plaits, wearing ‘harem-style’
trousers. Photo: Bertram Park / src: Royal Ballet School
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Tamara Karsavina by Hoppé
Emil Otto Hoppé :: Dancer Tamara Karsavina in ‘Le Spectre de la Rose’, 1911 | src E.O. Hoppé
related post, here
Claude Harris :: Bronislava Nijinska in Holy Etudes, with two unidentifed dancers, 1925. Nijinska’s Théâtre Chorégraphique.
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Geiko Yachiyo with a Heian Period Hat, 1910′s
Yachiyo dressed for the Ashibe odori (Ashibe public dance), holding a travelling hat from the Heian Period.
Yachiyo (1887-1924) was a famous geiko (geisha) from Osaka, known for her elegance and her lovely personality. People were said to weep with joy at the sight of her dancing. She became a maiko (apprentice geisha) at the age of thirteen and left the profession to marry the artist Suga Tatehiko at the age of twenty-nine. / src: Blue Ruin
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un regard oblique 