Bea Égerváry / Eccentric Dancer / Budapest (detail)Performer in costume identified on the back as: Bea Égerváry / Eccentric Dancer / Budapest | src eBay
Arthur William Emmerton ~ ‘Child posing in Pierrot costume’, probably ca. 1915. Glass negative. Inscriptions: “H17” on negative sleeve. | src National Library of AustraliaChild posing in Pierrot costume (ca. 1915) by Arthur William Emmerton [Detail]
Nearly a mile straight down and only a step–from Glacier Point, Yosemite valley, ca. 1902 [detail]Nearly a mile straight down and only a step–from Glacier Point (N.W.) across valley to Yosemite Falls, Yosemite, Cal.,ca. 1902. Underwood & Underwood. Half stereo card.
Original title: Nearly a mile straight down and only a step–from Glacier Point (N.W.) across valley to Yosemite Falls, Yosemite, Cal. [Description: Woman standing on cliff overlooking deep valley.]. Underwood & Underwood, publishers, New York, ca. 1902. Digital file from original photo : photographic print on stereo card : stereograph. [scanned half stereo] | src Library of Congress
Underwood & Underwood :: Woman standing on cliff overlooking deep valley, 1900-1910B&W film copy negative from original stereo card | src Library of CongressView of woman standing on an overhanging rock at Glacier Point with Yosemite Falls seen in the distance. | src ALMA repository
Ira L. Hill :: Irene Foote Castle (1893 – 1969), ca. 1920. Gelatin silver print. National Portrait Gallery, Smithsonian InstitutionIra L. Hill :: Irene Castle (1893 – 1969), 1910s. Other fashion photos. | src Cornell LibraryIra L. Hill :: Irene Castle (1893 – 1969), 1910s. Other fashion photos. | src Cornell LibraryIrene Castle in a rhinestone-encrusted headdress known as the Castle Band / Cornell LibraryIrene Castle in a rhinestone-encrusted headdress known as the Castle Band / Cornell LibraryIra L. Hill :: Irene Castle (1893 – 1969), 1910s. Other fashion photos. | src Cornell LibraryIra L. Hill :: Irene Castle (1893 – 1969), 1910s. Other fashion photos. | src Cornell LibraryIra L. Hill :: Irene Castle (1893 – 1969), 1910s. Other fashion photos. | Cornell LibraryIra L. Hill :: Irene Castle (1893 – 1969), 1910s. Other fashion photos. | Cornell LibraryIra L. Hill :: Irene Castle (1893 – 1969), 1910s. Other fashion photos. | Cornell LibraryIra L. Hill :: Irene Castle (1893 – 1969), 1910s. Other fashion photos. | src Cornell Library
Auguste Bert :: Le spectre de la rose [Tamara Karsavina dans le rôle de la jeune fille], Théâtre de Monte-Carlo, 19-04-1911. Le spectre de la rose : tableau chorégraphique / chorégraphie de Michel Fokine. | src Gallica ~ BnFAuguste Bert :: Le spectre de la rose [Tamara Karsavina dans le rôle de la jeune fille], Théâtre de Monte-Carlo, 19-04-1911. Le spectre de la rose : tableau chorégraphique / chorégraphie de Michel Fokine. | src Gallica ~ BnF
Cléopâtre. ─ Mme Ida Rubinstein. Théatre National de l’Opéra. Antoine et Cléopâtre [Photo Sabourin (succ. de Bert)] | src Getty Images Ida Rubinstein (1880-1960) in the role of Cleopatra from Antony and Cleopatra by William Shakespeare,from magazine Le Theatre, 19201920 ─ LE THÉATRE ─ Nº 384 | Kabinett Auktionen Cléopâtre. ─ Mme Ida Rubinstein. Théatre National de l’Opéra. Antoine et Cléopâtre [Photo Sabourin (succ. de Bert)] Alternative scan of the magazine found on The Red List (broken link, the site had been taken down a few years ago) 1920 ─ LE THÉATRE ─ Nº 384 | Kabinett Auktionen Mme Ida Rubinstein. Rôle de Cléopâtre. Théatre National de l’Opéra. Antoine et Cléopâtre ─ Acte V [Photo Sabourin (succ. de Bert)]
Mlle Germaine WEBB qui vient de remporter un si grand succès de comédienne dans “Sin”, la féerie chinoise de M. Maurice Magre, musique de M. André Gailhard. Photo: Rudomine. | Comoedia Illustré, 1921
Piotr I. Vedenisov (1866-1937) :: Portrait of unknown woman wearing a Kokoshnik, 1909-1914. Autochrome. From Primrose: Early Russian Colour Photography at the Photographers’ Gallery. | src The GuardianPiotr I. Vedenisov (Russian, 1866-1937) :: Uknown woman, Crimea, Yalta, ca. 1914. Autochrome. | src NKFUPiotr Ivanovich Vedenisov (1866-1937) :: Vera Nikolaevna Vedenisova in oriental folk dress, 1909-1914. Autochrome. | src FOAM and NKFUPiotr I. Vedenisov (1866-1937) :: Portrait of unknown woman wearing a Kokoshnik, 1909-1914. Autochrome. | src NKFUPiotr I. Vedenisov (1866-1937) :: Tania and Liza Kozakova in traditional dresses, 1909-1914. Autochrome. From Primrose: Early Russian Colour Photography at the Photographers’ Gallery. | src The Guardian
Sipprell was born on Halloween, 1885, in Tillsonburg, Ontario, Canada. In 1895 (after her father’s death), she and her mother moved from Canada to Buffalo. In the early 1900s, Buffalo was a center of the pictorialism. Sipprell became one of the foremost practitioners of pictorial photography in the United States. She produced autochromes and platinum, bromoil, gum, and carbon prints; won awards in exhibitions; and had her work published in magazines in the United States and Europe.
As a portrait photographer, Sipprell sought to convey a sense of the whole person and what made each unique. […] In 1915, Sipprell, then thirty, moved to New York City with Jessica E. Beers, with whom she lived until 1923. She opened a photographic studio in Greenwich Village and eventually became a contract photographer for the Ethical Culture School, where Beers was a principal.
A Russian immigrant, Irina Khrabroff, was first her student and later her traveling companion, close friend, and business manager. As a student, Khrabroff spent her winters living with Sipprell and Beers in New York City. In 1923, when Khrabroff married, Beers moved out of the apartment, but Sipprell continued living there with Khrabroff and her husband until 1933.
[…] It is not clear whether or not Sipprell’s relationships were sexual or even romantic, yet their length and stability, and the evidence of the memorial marker, indicate an extraordinary level of commitment. [Quoted from lgbtq encyclopedia: Sipprell, Clara Estelle (1885-1975) by Tee A. Corinne]