Marie Vassilieff costume Arlequine pour le Bal banal, 1924, photographie Pierre Delbo. Collection de Claude Bernès. | « Une journée avec Marie Vassilieff » Hommage à Marie Vassilieff, artiste oubliée du modernismeMarie Vassilieff costume Arlequine pour le Bal banal, 1924, photographie Pierre Delbo. Collection de Claude Bernès. | src MABA
Theatre Magazine. Front cover, January 1922. Cover design by Art Snyder. | src internet archiveTheatre Magazine. Front cover, January 1922. Cover design by Art Snyder. [full scanned image] | src internet archiveTheatre Magazine. Front cover, January 1922. [Detail] | src internet archive
Studio Piaz :: Jacqueline Jako-Mica (Nicole Chaumot) with a dance partner at Casino de Paris, 1940s | src Abebooks and ZvabStudio Piaz :: Jacqueline Jako-Mica (Nicole Chaumot) with a dance partner in Harlequin costume at Casino de Paris, 1940s | src Abebooks and ZvabStudio Piaz :: Jacqueline Jako-Mica (Nicole Chaumot) with a dance partner in Harlequin costume at Casino de Paris, 1940s | src Abebooks and Zvab
Frieda Gertrud Rieß ~ Grit Hegesa in the role of Harlequin, late 1910s | src getty imagesGrit Hegesa. German postcard by Ross Verlag, no. 363/1, 1919-1924. Photo: Frieda Riess | src flickrFrieda Gertrud Riess ~ Die Tänzerin Grit Hegesa, um 1920. | src Die Riess exhibit at Das Verborgene MuseumGrit Hegesa. German postcard by Ross Verlag, no. 363/1, ca. 1920. Photo: Frieda Riess | src alamyFrieda Gertrud Riess ~ Die Tänzerin Grit Hegesa, um 1920. | src Die Riess exhibit at Das Verborgene Museum
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