Hannah Höch :: Watched, 1925. Höch feminizes the Dada movement’s engagement with the everyday by pairing craft techniques, traditionally seen as women’s work, with the avant-garde strategy of photomontage. | src MoMA
Hannah Höch :: Indian Dancer from an Ethnographic Museum (Indische Tänzerin Aus einem ethnographischen Museum) 1930. Her collaged model is the actress Renée (Maria) Falconetti, appearing in a publicity still for Carl Theodor Dreyer’s 1928 film The Passion of Joan of Arc. | src MoMA
From Hannah Höch’s Album page (scrapbook), 1933. left: Dancer Gret Palucca, ca. 1925. ph, by Charlotte Rudolph (top) & Ursula Richter (bottom). right: “Stabhochsprung” Athete high jumping (pole vault) and “Starke Geste im modernen Ausdrucktanz (Die Wigmanschülerin Vera Skoronel)”. Expressionist dancer (Wigman student, Vera Skoronel) ph. by Suse Byk. | src Female artists
Willy Römer :: Hannah Höch with the puppets (Dada dolls) representing her daughters Pax and Botta, around 1920 | src RMN