Tag: halfnude

Just another Day, 1936

Ismay Taylor :: “Just Another Day”, 1936. Plate II. Halftone print from Photograms of the Year 1936. | src eBay
Ismay Taylor :: “Just Another Day”, 1936. Plate II. Halftone print from Photograms of the Year 1936. [full page] | src eBay

Nu avec ombres, 1936

Pierre Boucher :: Nu avec ombres, 1936. Épreuve gélatino-argentique de 1991 d’une édition limitée et unique de la Société Griffelkunst Vereinigung Hambourg. Signée au crayon au dos. | src Drouot

Burlesque by Harlip 1920s-1930s

Dr. Gregory Harlip :: Burlesque # 3 (Nu au voile - Nu féminin debout), Germany, ca. 1930. | src anamorfose
Dr. Gregory Harlip :: Burlesque # 3 (Nu au voile – Nu féminin debout), Germany, ca. 1930. | src anamorfose
Dr. Gregory Harlip :: Burlesque # 2 (Nu au voile - Nu féminin debout), Germany, ca. 1930. Vintage silver print. | src anamorfose
Dr. Gregory Harlip :: Burlesque # 2 (Nu au voile – Nu féminin debout), Germany, ca. 1930. Vintage silver print. | src anamorfose
Dr. Gregory Harlip :: Burlesque # 4 (Nu au voile - Nu féminin debout), Germany, ca. 1930. | src Anamorfose and Drouot
Dr. Gregory Harlip :: Burlesque # 4 (Nu au voile – Nu féminin debout), Germany, ca. 1930. | src anamorfose and Drouot
Dr. Gregory Harlip :: Burlesque # 1 (Nu au voile - Nu féminin debout), Germany, ca. 1930. | src anamorfose
Dr. Gregory Harlip :: Burlesque # 1 (Nu au voile – Nu féminin debout), Germany, ca. 1930. | src anamorfose

Harlip was a photographic studio specializing in celebrity portraits and based in London. Until 1937, the Harlip studio had its headquarters on the Kurfürstendamm in Berlin. Afterwards, the Harlips left Berlin due to the growing crackdown on Jewish businesses and moved to London. After Dr. Harlip’s death in 1945, Mrs. Harlip continued the business there as one of the great socialite photographers of the 1950s. | src La Gazette Drouot

Die rote Maske, ca. 1927

Karl Hahn :: Die rote Maske. Jugend: Münchner illustrierte Wochenschrift für Kunst und Leben, 1927, Band 1-2 (Nr. 1-54) | src Universitätsbibliothek Heidelberg
Karl Hahn :: Die rote Maske. Jugend: Münchner illustrierte Wochenschrift für Kunst und Leben, 1927, Band 1-2 (Nr. 1-54) | src Universitätsbibliothek Heidelberg
Karl Hahn :: Die rote Maske. Jugend: Münchner illustrierte Wochenschrift für Kunst und Leben, 1927, Band 1-2 (Nr. 1-54) | src Universitätsbibliothek Heidelberg
Karl Hahn :: Die rote Maske. Jugend Magazin, 1927, Band 1-2 (Nr. 1-54) | src Universitätsbibliothek Heidelberg
Karl Hahn :: Die rote Maske. Jugend Magazin, 1927, Band 1-2 (Nr. 1-54) | src Universitätsbibliothek Heidelberg

The South Wind, 1937

Dr. Tibor de Csorgeo :: The South Wind. Photograms of the Year. The annual review of the world’s pictorial photographic work, 1937 issue (plate XXXVII). Edited by F. J. Mortimer. | src issuu

Nude Studies by J. de Mirjian

John de Mirjian ~ Nude Study from a signed set of 4. New York City, 1920s. | src eBay
John de Mirjian ~ Nude Study from a signed set of 4. New York City, 1920s. | src eBay
John de Mirjian ~ Nude Study from a signed set of 4. New York City, 1920s. | src eBay
John de Mirjian ~ Nude Study from a signed set of 4. New York City, 1920s. | src eBay

Aktstudien um 1934 von Manassé

Atelier Manassé ~ [Studie (Nr. 19548), um 1934] | src getty images
Atelier Manassé ~ [Studie (Nr. 21067), um 1934] | src getty images

Evan B. Fontaine, 1916

Arnold Genthe :: Evan Burrows Fontaine, Jan. 30th, 1916. Glass negative. | src Library of Congress
Arnold Genthe :: Miss Fontaine, Jan. 30th, 1916. Glass negative. [full digital file from original neg.] | src Library of Congress

Bronia Perlmutter by Man Ray

Man Ray :: Untitled. Brogna Perlmutter (Bronia Perlmutter), Paris, 1924 | src NGA [National Gallery of Australia]

On December 1924 Francis Picabia asked Bronia to participate in a production, Ciné Sketch, that he and René Clair were putting on after the ballet on New Year’s Eve. Bronia agreed, and she and Marcel Duchamp appeared nude—Duchamp did have a strategically placed fig leaf—in a living tabloid of Lucas Cranach’s Adam and Eve, which Man Ray photographed. This photograph most probably belongs to that series.