The Gargoyle by Käsebier

Gertrude Käsebier (1852-1934) ~ Gargouille / Gargoyle, Paris, France, 1901. Platinum print | src Alamy
Gertrude Käsebier (1852-1934) ~ The Gargoyle, 1901. Gum bichromate print | src Princeton university art museum
Gertrude Käsebier (1852-1934) ~ The Gargoyle, ca. 1900, platinum photograph | src NGV (National gallery of Victoria)

Zitkala-Sa with violin, ca. 1898

Gertrude Käsebier :: Zitkala-Sa (with violin), Sioux Indian and activist, ca. 1898. Platinum print. | src NMAH
Gertrude Käsebier :: Zitkala-Sa (with violin), Sioux Indian and activist, ca. 1898. Platinum print. | src NMAH

In addition to photographing the Sioux performers sent by Buffalo Bill Cody to her studio, Käsebier was able to arrange a portrait session with Zitkala-Sa, “Red Bird,” also known as Gertrude Simmons (1876-1938), a Yankton Sioux woman of Native American and white ancestry. She was born on the Pine Ridge Reservation in South Dakota, like many of the Sioux traveling with the Wild West show. She was well educated at reservation schools, the Carlisle Indian School, Earlham College in Indiana, and the Boston Conservatory of Music. Zitkala Sa became an accomplished author, musician, composer, and dedicated worker for the reform of United States Indian policies.

Käsebier photographed Zitkala-Sa in tribal dress and western clothing, clearly identifying the two worlds in which this woman lived and worked. In many of the images, Zitkala Sa holds her violin or a book, further indicating her interests. Käsebier experimented with backdrops, including a Victorian floral print, and photographic printing. She used the painterly gum-bichromate process for several of these images, adding increased texture and softer tones to the photographs. (quoted from NMAH)

Gertrude Käsebier :: Zitkala-Sa (with violin), Sioux Indian and activist, ca. 1898. Platinum print. | src NMAH
Gertrude Käsebier :: Zitkala-Sa (with violin), Sioux Indian and activist, ca. 1898. Platinum print. | src NMAH
Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Gum bichromate print. | src NMAH
Gertrude Käsebier :: Zitkala-Sa (with violin), Sioux Indian and activist, ca. 1898. Gum bichromate print. | src National Museum of American History, Smithsonian Institution

Le Vase mystique, 1900

Émile Joachim Constant Puyo :: Le Vase mystique, 1900 [detail]. Tirage à la gomme bichromatée. Signé à l'encre en bas à droite avec un tampon à sec partiellement coupé au bord inférieur. | src Sotheby's
Émile Joachim Constant Puyo :: Le Vase mystique, 1900 [detail]. Tirage à la gomme bichromatée. Signé à l’encre en bas à droite avec un tampon à sec partiellement coupé au bord inférieur. | src Sotheby’s
Constant Puyo :: Le Vase mystique, 1900. Tirage à la gomme bichromatée. | src Sotheby's
Constant Puyo :: Le Vase mystique, 1900. Tirage à la gomme bichromatée. | src Sotheby’s

Morning, ca. 1905

Clarence Hudson White :: Morning, ca. 1905. Photogravure. | src NGA
Clarence Hudson White :: Morning, ca. 1905. Photogravure. | src National Gallery of Art

Inscription on verso, by unknown hand in graphite: Woman with Chrystal Globe (Study of Mrs. White) about 1905.

Clarence Hudson White :: Morning, 1905. Gum bichromate print. | src Princeton University Art Museum
Clarence Hudson White :: Morning, 1905. Gum bichromate print. | src Princeton University Art Museum