Edward Povey ยท Sleeping through

Edward Povey ~ Sleeping Through, 2019. Oil and graphite on canvas | src Povey website
Edward Povey ~ Sleeping Through, 2019. (Detail the face and drawn hand) | src IG
Edward Povey ~ Sleeping Through, 2019. Permanent collection, New Orleans | src IG
Edward Povey ~ Sleeping Through, 2019 | src MEAM ยท Museu Europeu d’Art Modern (BCN)

Letitia Felix by C.H. White

Clarence H. White (1871โ€“1925) :: Letitia Felix holding her skirts, ca. 1897. Platinum print with graphite
Clarence H. White (1871โ€“1925) :: Letitia Felix holding her skirts, ca. 1897. Platinum print with graphite. | src Princeton University Art Museum
Clarence H. White (1871โ€“1925) :: Letitia Felix holding her skirts, ca. 1897. Platinum print with graphite. | src Princeton University Art Museum
Clarence H. White (1871โ€“1925) :: Letitia Felix in woods [1/3], ca. 1895โ€“1900. Platinum Print. | src Princeton University Art Museum
Clarence H. White (1871โ€“1925) :: Letitia Felix in woods [1/3], ca. 1895โ€“1900. Platinum Print. | src Princeton University Art Museum

Joan of Arc by Jan Toorop

Jan Toorop [Dutch, 1858โ€“1928] :: Jeanne d'Arc - Joan of Arc, 1898. Graphite and colored pencils on tan wove board. | Art Institute of Chicago, โ€œDrawings in Dialogue: Old Master Through Modernโ€œ
Jan Toorop [Dutch, 1858โ€“1928] :: Jeanne d’Arc – Joan of Arc, 1898. Graphite and colored pencils on tan wove board. | Art Institute of Chicago, โ€œDrawings in Dialogue: Old Master Through Modernโ€œ

Signed recto, lower right, pen and black ink: “J. K. TOOROP”; dated, lower left, in pen and black ink: “1898”; inscribed recto, lower center, in graphite: “IEANNE Dโ€™ARC”

Imbued with the sinuous linear style of Tooropโ€™s most celebrated works, this small drawing merges medieval subject matter with the graphic language of Symbolism. Cleverly situated within the voids of a capital letter E, Tooropโ€™s title figure recalls the conventions of medieval manuscript illumination. Indeed, like many of Tooropโ€™s drawings, this work was likely intended for inclusion in a book. The swirling parallel lines in the saintโ€™s hair and the intensity of her downcast posture assert the sympathetic interpretation Toorop offered of this warrior saint, whose canonization was not finalized until 1920. [AIC]