Portraits of Frida with Globe

Frida Kahlo with Globe in Manuel Álvarez Bravo Studio, 1930 | src Phillips
Manuel Álvarez Bravo (1902-2002) ~ Frida Kahlo, 1930-1939. Gelatin silver print | src Christie’s
Manuel Álvarez Bravo (1902-2002) ~ Frida Kahlo con Globo, Coyoacán, México, 1938 | src mutualart
Manuel Álvarez Bravo (1902-2002) ~ Frida Seated with Globe, Puente de Alvarado Studio, 1937 | src Throckmorton

Mathilde Weil’s portraits

Mathilde Weil :: The Magic Crystal [Portret van een onbekende vrouw met een glazen bol / Portrait of an unknown woman with a crystal ball], ca. 1896 - in or before 1901. This work belongs to Photographische Rundschau: Zeitschrift für Freunde der Photographie, 1901. | Rijksmuseum
Mathilde Weil :: The Magic Crystal [Portret van een onbekende vrouw met een glazen bol / Portrait of an unknown woman with a crystal ball], ca. 1896 – in or before 1901. This work belongs to Photographische Rundschau: Zeitschrift für Freunde der Photographie, 1901. | src Rijksmuseum
Mathilde Weil :: Constance [Portret van een onbekende vrouw / Portrait of an unknown woman], ca. 1896 - in or before 1901. This work belongs to Photographische Rundschau: Zeitschrift für Freunde der Photographie, 1901. | src Rijksmuseum
Mathilde Weil :: Constance [Portret van een onbekende vrouw / Portrait of an unknown woman], ca. 1896 – in or before 1901. This work belongs to Photographische Rundschau: Zeitschrift für Freunde der Photographie, 1901. | src Rijksmuseum
Photographische Rundschau: Zeitschrift für Freunde der Photographie, 1901. Photographic Review: Magazine for friends of photography, 1901. | src Rijksmuseum

Marika Rokk looking into a crystal ball, 1930

Sasha / Alexander Stewart :: Marika Rokk looking into a crystal ball. She is appearing in a production of ‘The Folies Pures’ at the Victoria Palace Theatre, 30th May 1930. (Hulton Archive) | src Getty Images

Selbstbildnis mit Glaskugel, 1916

Anton Josef Trčka (Antios; 1893 – 1940) ~ Selbstbildnis mit Glaskugel, um 1916. Silbergelatinepapier, mit Farbstiften übermalt | Self-portrait with glass ball, ca. 1916. Gelatin silver paper, painted over with colored pencils | src Albertina Museum

Roger Parry · Crystal Ball

Roger Parry (1905–1977) :: Hands with Crystal Ball, Variation, 1930 | src The Cleveland Museum of Art

Roger Parry, a photographer who produced experimental images that related to both modernism and Surrealism, also had a commercial studio. He produced this image for a promotional campaign for André Maurois’s science fiction tale The Weigher of Souls (Le Peseur d’ames), in which a doctor’s experiments to find immortality reveal that life force is a gas that escapes the body at death. The photograph illustrates a sentence from the book about a ball that contained the spirits of two brothers captured in an invisible beam of light. | quoted from source

Morning, ca. 1905

Clarence Hudson White :: Morning, ca. 1905. Photogravure. | src NGA
Clarence Hudson White :: Morning, ca. 1905. Photogravure. | src National Gallery of Art

Inscription on verso, by unknown hand in graphite: Woman with Chrystal Globe (Study of Mrs. White) about 1905.

Clarence Hudson White :: Morning, 1905. Gum bichromate print. | src Princeton University Art Museum
Clarence Hudson White :: Morning, 1905. Gum bichromate print. | src Princeton University Art Museum

Rose Dolores, Vogue, 1919

Baron Adolph de Meyer ~ “Pearls and Tulle Spin Bridal Witcheries”, published in Vogue, April 15, 1919, p. 44. [Baron Adolph de Meyer, photographer and designer; Dolores (Kathleen Mary Rose), model] | src Vogue & ICP
Adolf de Meyer ~ Dolores (Kathleen Rose; in profile; with a crystal ball) wearing a wedding dress, ca. 1919 | src Sotheby’s (2011)