Warburg by Warburg, ca. 1910

John Cimon Warburg :: Wild Flowers, ca. 1910. Autochrome. Photograph of Joan, the photographer's daughter, shown three-quarter length, standing in front of red wall paper. | src V&A Museum — **John Cimon Warburg ::** Wild Flowers, ca. 1910. Autochrome. Photograph of Joan, the photographer’s daughter, shown three-quarter length, standing in front of red wall paper. | src V&A Museum

John Cimon Warburg :: Marsh Marigolds, ca. 1910. Autochrome. | src V&A Museum — **John Cimon Warburg ::** Marsh Marigolds, ca. 1910. Autochrome. | src V&A Museum

**John Cimon Warburg ::** ‘The Sunny Doorway’, ca. 1909, autochrome. | src V&A Museum

John Cimon Warburg :: 'Peggy by the Orange Tree', Autochrome, 1909. Photograph of a full length portrait of Warburg's daughter Peggy standing beside an orange tree. She wears a white dress and holds a white hat in her hand. She holds onto the orange tree with her other hand. | src V&A Museum — **John Cimon Warburg ::** ‘Peggy by the Orange Tree’, Autochrome, 1909. Photograph of a full length portrait of Warburg’s daughter Peggy standing beside an orange tree. She wears a white dress and holds a white hat in her hand. She holds onto the orange tree with her other hand. | src V&A Museum

**John Cimon Warburg** :: ‘Joan in Red Riding Hood Cape with Basket’, autochrome, 6 November 1907. | src V&A Museum
Photograph of a near full length potrait of Warburg’s daughter Joan dressed in a Red Riding Hood cape. She stands beside a bush of white daisies. Warburg has annotated the plate with details regarding how the photograph was made.

Anita Berber as a poetess

Tänzerin und Schauspielerin Anita Berber, Rollenporträt, undtiert. (Photo © Ullstein Bild | src Getty Images

Anita Berber Dichterin: Die offen bisexuelle Anita Berber tanzte und provozierte nicht nur, sondern betätigte sich auch als Lyrikerin. In ihrem Gedicht “Orchideen” etwa heißt es: “Ich küsste und kostete jede bis zum Schluss / Alle alle starben an meinen roten Lippen / An meinen Händen / An meiner Geschlechtslosigkeit / Die doch alle Geschlechter in sich hat / Ich bin blass wie Mondsilber.”

Anita Berber as a poetess: The openly bisexual Anita Berber not only danced and provoked, but also was as a poet. In her poem “Orchids”, for example, it says: “I kissed and tasted each one to the end / All died on my red lips / On my hands / On my genderlessness / Which has all genders in it / I am pale as moon silver.”

quoted from Der Spiegel: Anita Berber – die Hohepriesterin des Lasters

Jako-Mica by Studio Lorelle

Studio Lorelle – Lucien Lorelle :: Jacqueline Jako-Mica (Nicole Chaumot) at Casino de Paris, 1940s | src Abebooks

Lucien Lorelle Studio :: Jacqueline Jako-Mica (Nicole Chaumot) at Casino de Paris, 1940s | src Abebooks & Zvab

Lucien Lorelle Studio :: Jacqueline Jako-Mica (Nicole Chaumot) and unidentified at Casino de Paris, 1940s | src Zvab

Lifar by Hoyningen-Huene, 1930

**George Hoyningen-Huene (Russian, 1900-1968)** :: Serge Lifar, 1930. Vogue magazine.

**George Hoyningen-Huene (Russian, 1900-1968)** :: Serge Lifar; Vogue ; Paris (1930) Heritage Auctions

Sipprell by Sipprell, 1900-1970

Francis J. Sipprell (1878-1958) :: Portrait of Clara E. Sipprell, ca. 1910. Platinum print. Burchfield Penney Art Center. | src l’œil de la photographie (broken link; linked to l’œil homepage)

Francis J. Sipprell (1878-1958) :: Clara E. Sipprell (1885-1975), ca. 1910. Platinum print. | src Burchfield Penney Art Center

Clara Sipprell :: [Fragment of portrait of Clara Sipprell], ca. 1900. Gelatin silver print. Clara E. Sipprell Collection. There is no mention on source whether this photograph was taken by Clara or Francis. | src Amon Carter Museum of American Art

Clara Sipprell :: Lucy Sipprell, ca. 1913. Platinum print. Scan from color transparency. | src Smithsonian American Art Museum

Allen Sipprell (1919-1998) :: Portrait of Clara E. Sipprell, ca. 1970. Gelatin silver print. | src Burchfield Penney Art Center

Clara E. Sipprell was one of America’s most important pictorial photographers of the early 20th century. Born in Canada, she moved to Buffalo, New York after her oldest brother Francis opened a photography studio. She worked part-time as an apprentice, but eventually dropped out of school to work full-time at his studio, where she learned all different types of photographic techniques. She partnered with him in 1905, and after working together for ten years and having many successful shows, she opened a studio in New York City and eventually traveled all over the world.

Clara E. Sipprell’s use of a soft-focus lens and her reliance upon entirely natural light gave her photographs an atmospheric effect and moody romanticism. She was a successful portraitist, photographing such notable people as Eleanor Roosevelt, Robert Frost, and Albert Einstein. However, she did not confine herself to that genre. Her landscapes, cityscapes, and still-life subjects were exhibited in national and international salons, galleries, and museums. There are over 1,000 photographs by Sipprell in the Amon Carter Museum collection, a gift from The Dorothea Leonhardt Fund of the Communities Foundation of Texas, Inc. The (then) Burchfield Art Center presented a solo exhibition of her work in 1991.

quoted from Burchfield Penney Art Center