
Alfred Stieglitz :: Georgia O’Keeffe: A Portrait; 1929.
| src
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images that haunt us

Constance Bennett, 1935, photo by George Hurrell
“One of a trio of sisters who first brightened movie screens during the tail end of the silent era, Constance Bennett was considered to be the most beautiful of the Bennett siblings. The eldest of the girls, Constance was followed by Barbara, who had the shortest career, and Joan, who was the most successful, but she was the first to really make her mark in Hollywood… While not among the most gifted actresses of her generation, Bennett was an able comedienne and more than competent when it came to the sort of dramatic plotlines she was assigned. Additionally, she was simply stunning to look at with her trademark slim figure and eye-catching blonde pageboy… Although sibling Joan ultimately had the longer and brighter career, Constance Bennett made the most of her time in the upper echelon of Hollywood and still impressed viewers decades later with her seemingly effortless beauty and sophistication.“ – John Charles, TCM
Emil Otto Hoppé :: Anna Pavlova Dancing a Japanese Solo at Ivy House, Hampstead Heath, London, England, 1923
| src photoshelter
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Arthur Tress :: Adam in the Park, New York, 1982 | src ClampArt

Olga Spessivtzeva (Olga Spessiva) in Balanchine’s ‘La Chatte’, Monte Carlo, 1927 | src

Boris Lipnitzki ::
Olga
Spessivtzeva
in ballet costume, Paris, ca. 1934
| src NSW State Library
“Mes meillieurs souvenirs a Maisie Sommerhoff, Olga Spessiva”, signature lower right hand corner of photograph.
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Man Ray :: Marie-Laure de Noailles, 1927 [full-length portrait of woman disguised for futurist party, shadow on wall, large dress with hat above, naked arms, shark skin costume made by Jean-Michel Franck]
| src Man Ray Trust – Adagp
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Jean de Strelecki ::
Full length portrait of dancer Ruth St. Denis wearing a flamboyant dance costume, unknown date (1920s). | src Broadway Photographs
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Schloss :: Ruth St. Denis in Dress with Flower Arrangement, New York, 1898 | src NYPL Denishawn Collection
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