Arnold Genthe :: Lydia Lopoukhova, glass negative, February 4th, 1914. | src Library of CongressArnold Genthe :: Lydia Lopoukhova, glass negative, February 4th, 1914. | src Library of Congress
Benjamin Joseph Falk:: Full length portrait of Loie Fuller, for the portrait she was standing still while moving the fabric of her white costume during the exposure, she stood on top of a mirror and was brightly lit, 1896 (marked nº 12) | src The New York Public Library (NYPL) via Getty Images
Portrait of Loie Fuller wearing an early version of her “Serpentine” dress. The photograph features a full length portrait of the dancer kneeling amidst a pile of cushions, with her arms upraised, and a small carved snake clasped in her right hand. Her skirt, which is decorated with repeated images of snakes, is raised up and spread out in a wide circle behind her, date unknown, late 1890s. | src V&A Museum
Karel Váňa :: Arnoštka Coufalová (as Fatmé) in Bajaja Ballet, 1916 (Choreographed by Augustin Berger, according to the model of Jindřich Kaan from Albeşti). | src Prague National Theatre