Flowers in Dutch Light

Stella Gommans :: A Gorgeous Mess From : "Flowers in Dutch Light" at Elliott Gallery
Stella Gommans :: A Gorgeous Mess. From : “Flowers in Dutch Light” at Elliott Gallery | for better resolution see image on bottom

“Flowers in Dutch Light”

Taking inspiration from the mastery of Dutch Golden Age painters and by blending this with 20th century photographers and their use of light, Stella Gommans’ resulting work is poetic, aesthetic, elegant and minimalistic. For Gommans – a former dancer and a largely self-taught photographer, nature in its broadest sense is an unfailing source of inspiration.

This exquisite body of work celebrates flowers – capturing their different phases and the variety of shapes and colours – each telling their own story. In beautiful detail she depicts how the light emphasises the elegance of the stem, or how it catches the leaf, or how it allows us to catch a glimpse of the brittle petals and the burst of colours when in full bloom. Gommans invites the viewer to look closer and sometimes even take a step back, because in that instant – hidden aspects emerge – like a choreography, a fabulous dance.

‘A Declaration of Love, flowers in Dutch light’ is a series that symbolises life.

Flowers naturally bloom in all their strength, vulnerability and beauty – with elegance and grace – poetically captured in that single moment in time, never to be repeated again. Quoted from Elliott Gallery

Stella Gommans :: A Beautiful Chaos. From : "A Declaration of Love. Flowers in Dutch Light" | Stella Gommans
Stella Gommans :: A Beautiful Chaos. From : “A Declaration of Love. Flowers in Dutch Light” | Stella Gommans
Stella Gommans :: Embrace the Journey. From : “Flowers in Dutch Light” at Elliott Gallery
Stella Gommans :: Smile, Sparkle and Shine. From : “Flowers in Dutch Light” at Elliott Gallery
Stella Gommans :: Time Will Tell. From : “Flowers in Dutch Light” at Elliott Gallery
Stella Gommans :: Escape the Ordinary. From : “Flowers in Dutch Light” at Elliott Gallery
Stella Gommans :: Handle with Care. From : “Flowers in Dutch Light” at Elliott Gallery
Stella Gommans :: Attitude is Everything. From : “Flowers in Dutch Light” at Elliott Gallery
Stella Gommans :: A Gorgeous Mess. From : "Flowers in Dutch Light" at Elliott Gallery
Stella Gommans :: A Gorgeous Mess. From : “Flowers in Dutch Light” at Elliott Gallery

All images: Archival Pigment Prints on Hahnemuhle Fine Art Paper

Hommage to Sanyu by Meeuws

Bas Meeuws :: Hommage à Sanyu (# 09), 2018. C-Type print. | src Per van der Horst Gallery at Photo Basel
Bas Meeuws :: Hommage à Sanyu (# 09), 2018. C-Type print. | src Per van der Horst Gallery at Photo Basel

A photographical interpretation of the magical, almost abstract flower paintings by the great Chinese painter Sanyu (1901-1966). The Homage à Sanyu series is inspired by the paintings of the Chinese – French artist Sanyu (or Chang Yu), who lived and worked in Paris in the early 20th century. In works from this series, Meeuws makes a photographic translation of Sanyu’s painting into a modern medium. He wants to translate Sanyu’s paintings photographically without destroying the atmosphere of those paintings.

Bas Meeuws :: Hommage à Sanyu (# 35), 2018. C-print op Dibond met acrylglas. | src amuse
Bas Meeuws :: Hommage à Sanyu (# 35), 2018. C-print op Dibond met acrylglas. | src amuse
Bas Meeuws :: Hommage à Sanyu (# 12), 2018. C-print op Dibond met acrylglas. | src Galerie Wilms
Bas Meeuws :: Hommage à Sanyu (# 12), 2018. C-print op Dibond met acrylglas. | src Galerie Wilms

Tulips by Anton Weiss

Tulp en andere bloemen Anton Weiss Rijksmuseum RP-P-OB-19.551
Tulp en andere bloemen. Anton Weiss. From: Bloem en Fruit Studien. | src Rijksmuseum RP-P-OB-19.551
Tulp en andere bloemen Anton Weiss Rijksmuseum RP-P-OB-19.551
Anton Weiss :: Tulip and other flowers. From: Flower and Fruit Studies. [Detail] | src Rijksmuseum RP-P-OB-19.551
Twee tulpen, Anton Weiss, after a design by Jan van Huysum, 1820 – 1833. From: Bloem en Fruit Studien. | src Rijksmuseum

Colette Baltzakis · Hands

sequence
Colette Baltzakis (1926-2014) :: Hands # 1, Paris, 1952. | src Colette Baltzakis Collection at eye-eye
Colette Baltzakis (1926-2014) :: Hands # 1, Paris, 1952. | src Colette Baltzakis Collection at eye-eye
Colette Baltzakis (1926-2014) :: Hands # 2, Paris, 1952. | src Colette Baltzakis Collection at eye-eye
Colette Baltzakis (1926-2014) :: Hands # 2, Paris, 1952. | src Colette Baltzakis Collection at eye-eye
Colette Baltzakis (1926-2014) :: Hands # 3, Paris, 1952. | src Colette Baltzakis Collection at eye-eye
Colette Baltzakis (1926-2014) :: Hands # 3, Paris, 1952. | src Colette Baltzakis Collection at eye-eye
Colette Baltzakis (1926-2014) :: Hands # 4, Paris, 1952. | src Colette Baltzakis Collection at eye-eye
Colette Baltzakis (1926-2014) :: Hands # 4, Paris, 1952. | src Colette Baltzakis Collection at eye-eye
Colette Baltzakis (1926-2014) :: Hands # 5, Paris, 1952. | src Colette Baltzakis Collection at eye-eye
Colette Baltzakis (1926-2014) :: Hands # 5, Paris, 1952. | src Colette Baltzakis Collection at eye-eye
Colette Baltzakis (1926-2014) :: Hands # 6, Paris, 1952. | src Colette Baltzakis Collection at eye-eye
Colette Baltzakis (1926-2014) :: Hands # 6, Paris, 1952. | src Colette Baltzakis Collection at eye-eye

Blossoms of Dock by Jaques

Bertha Evelyn Jaques :: Blossoms of Wild Dock, 1910. Cyanotype. | src MutualArt
Bertha Evelyn Jaques :: Blossoms of Dock, 1910. Cyanotype. | src MutualArt
Bertha Evelyn Jaques :: Blossoms of Wild Dock, 1910. Cyanotype. | src MutualArt
Bertha Evelyn Jaques :: Blossoms of Dock, 1910. Cyanotype. | src MutualArt
Bertha Evelyn Jaques :: Blossoms of Wild Dock, 1910. Cyanotype. | src MutualArt

Jaques was already a respected printmaker when she began making cyanotype photograms of wildflowers. An active member of the Wild Flower Preservation Society, she created over a thousand of these botanical images. Made without a camera by placing objects directly on sensitized paper and exposing it to light, the photogram is the least industrialized type of photography. Because prints were easy to produce by this method, it achieved wide popularity. Graphic artists often chose this form of print because of its rich Prussian blue color. Aligned with the antimodernist views of the late Victorian Arts and Crafts movement, Jaques’s work reflects a reverence for commonplace elements of nature and the beautifully crafted object.

Merry A. Foresta American Photographs: The First Century (Washington, D.C.: National Museum of American Art with the Smithsonian Institution Press, 1996). From Smithsonian American Art Museum (SAAM)

Bertha Evelyn Jaques :: Blossoms of Wild Dock, 1910. Cyanotype. | src MutualArt
Bertha Evelyn Jaques :: Blossoms of Wild Dock, 1910. Cyanotype. | src MutualArt

Bertha Jaques’ photograms

Bertha Jaques :: Photogram of a botanical specimen, 1900-1906. Cyanotype. | src MutualArt
Bertha Jaques :: Photogram of a botanical specimen, 1900-1906. Cyanotype. | src MutualArt
Bertha Evelyn Jaques :: Photogram of a botanical specimen, 1900-1906. Cyanotype. | src MutualArt
Bertha Jaques :: Photogram of a botanical specimen, 1900-1906. Cyanotype. | src MutualArt and Elizabeth Houston Gallery
Bertha Jaques :: Photogram of a botanical specimen, 1900-1906. Cyanotype. | src MutualArt and Elizabeth Houston Gallery
Bertha Jaques :: Photogram of a botanical specimen, 1900-1906. Cyanotype. | src MutualArt
Bertha Evelyn Jaques :: Photogram of a botanical specimen, 1900-1906. Cyanotype. | src MutualArt
Bertha Jaques :: Photogram of a botanical specimen, 1900-1906. Cyanotype. | src MutualArt and Elizabeth Houston Gallery
Bertha Jaques :: Photogram of a botanical specimen, 1900-1906. Cyanotype. | src MutualArt and Elizabeth Houston Gallery

Yellow roses by Jan Z. Wlodek

Jan Zdzisław Włodek :: Marechal Niel roses in the greenhouse at ul. Pędzichów, Boczna 5, 1925-1926. Autochrome. [full size] | src Fundacja im. Zofii i Jana Włodków
Jan Zdzisław Włodek :: Róże Marechal Niel w cieplarni przy ul. Pędzichów Boczna 5, 1925-1926. Autochrome. | src Fundacja im. Zofii i Jana Włodkó
Jan Zdzisław Włodek :: Marechal Niel roses in the greenhouse at ul. Pędzichów, Boczna 5, 1925-1926. Autochrome. [closer detail] | src Fundacja im. Zofii i Jana Włodków
Jan Zdzisław Włodek :: Róże Marechal Niel w cieplarni przy ul. Pędzichów Boczna 5, 1925-1926. Autochrome. | src Fundacja im. Zofii i Jana Włodków
Jan Zdzisław Włodek :: Róże Marechal Niel w cieplarni przy ul. Pędzichów Boczna 5, 1925-1926. Autochrome. [detail] | src Fundacja im. Zofii i Jana Włodków
Jan Zdzisław Włodek :: Róże Marechal Niel w cieplarni przy ul. Pędzichów Boczna 5, 1925-1926. Autochrome. | src Fundacja im. Zofii i Jana Włodków [detail]
Jan Zdzisław Włodek :: Marechal Niel roses in the greenhouse at ul. Pędzichów, Boczna 5, 1925-1926. Autochrome. [full size] | src Fundacja im. Zofii i Jana Włodków

Tulips and hyacinths, 1928

Jan Zdzisław Włodek :: Tulips and hyacinths. Greenhouse in Pędzichów, 1928. Autochrome of blooming tulips and hyacinths in the greenhouse of the Włodków villa in Kraków. | src Archiwum Rodziny Włodków z Dąbrowicy
Jan Zdzisław Włodek :: Tulips and hyacinths. Greenhouse in Pędzichów, 1928. Autochrome of blooming tulips and hyacinths in the greenhouse of the Włodków villa in Kraków. | src Archiwum Rodziny Włodków z Dąbrowicy
Jan Zdzisław Włodek :: Tulipany i hiacynty. Cieplarnia na Pędzichowie, 1928. Autochrome of blooming tulips and hyacinths in the greenhouse of the Włodków villa in Kraków. | src Archiwum Rodziny Włodków z Dąbrowicy
Jan Zdzisław Włodek :: Tulips and hyacinths. Greenhouse in Pędzichów, 1928. Autochrome of blooming tulips and hyacinths in the greenhouse of the Włodków villa in Kraków. | src Archiwum Rodziny Włodków z Dąbrowicy
Detail from an Autochrome of blooming tulips and hyacinths (1928) by Jan Zdzisław Włodek
Jan Zdzisław Włodek :: Tulips and hyacinths. Greenhouse in Pędzichów, 1928. Autochrome of blooming tulips and hyacinths in the greenhouse of the Włodków villa in Kraków. | src Archiwum Rodziny Włodków z Dąbrowicy
Jan Zdzisław Włodek :: Tulips and hyacinths. Greenhouse in Pędzichów, 1928. Autochrome of blooming tulips and hyacinths in the greenhouse of the Włodków villa in Kraków. | src Archiwum Rodziny Włodków z Dąbrowicy