Autochromes de Acillona

Tomรกs Acillona (1893 – 1957) ~ Sin tรญtulo, 1922. Autochrome | src gomas-bicromatadas on IG
Tomรกs Acillona (1893 – 1957) ~ Puesta de sol en la Playa de Arrigunaga, 1922. Autochrome | src gomas-bicromatadas IG
Tomรกs Acillona (1893 – 1957) ~ Sin tรญtulo, 1922. Autochrome | src gomas-bicromatadas on IG

Flowers by Araki & von Bismarck

Nikolai von Bismarck ~ Coloratus Rosas, 2023. Archival pigment print | src Michael Hoppen gallery ~ Paris photo 2023
Nobuyoshi Araki (b. 1940) ~ from Flowers, 1985. Yoshii Gallery. | src The NY Times
Nobuyoshi Araki (b. 1940) ~ Flower Rondeau, 1997. Fuji Crystal Archive print | src Michael Hoppen gallery ~ Paris photo 2023

Laura Gilpin ยท Iris ยท 1926

Laura Gilpin (1891-1979) ~ White Iris [Colorado Springs, Colorado]; May 7, 1926. Hand-coated platinum print. | src Amon Carter Museum P1979.141.27
Laura Gilpin (1891-1979) ~ White Iris [Colorado Springs, Colorado]; May 7, 1926. Gelatin silver print. | src Amon Carter Museum P1979.141.23
Laura Gilpin (1891-1979) ~ [Iris]; 1920’s-1960’s. Platinum print. | src Amon Carter Museum of American Art (P1979.141.47)
Laura Gilpin (1891-1979) ~ White Iris [Colorado Springs, Colorado]; May 7, 1926. Handcoated platinum print. | src Amon Carter Museum of American Art P1979.141.24

Hilja Raviniemi radiographs

Hilja Raviniemi ~ Untitled (Flowers), 1960s. Collection of the Finnish Museum of Fine Arts | src Valokuvamuseo ยท IG
Hilja Raviniemi ~ Shell design, 1970. Suomen valokuvataiteen museon kokoelma. | src Fall 2023 exhibition

Hilja Raviniemi (nรฉe Nieminen, 1915โ€“1973) dedicated her life to art photography at a time when it was still a niche phenomenon in Finland. The art photography scenes consisted of amateur photographersโ€™ clubsโ€™ regional and international exhibitions.  Letters from international exhibitions addressed to โ€œMr. Hilja Raviniemiโ€ show that photographers were assumed to be men. Hard work helped โ€œHiliโ€ rise to the top of the male-dominated world of amateur photographersโ€™ clubs. She was the first woman to become chair of the Association of Finnish Camera Clubs, and she was awarded the international honEFIAP title, which was only allowed to be simultaneously carried by a select few photographers in the world.

After her more traditional early work, Raviniemi explored the infinite creative possibilities offered by the darkroom, especially in the 1960s. Her recognizable blue era, which differed from the stark black-and-white art photography of the time, began in the late 1960s. Chemist by profession, Raviniemi was an ingenious artist in the darkroom. In addition to blue-tinted prints, she also created completely abstract photographic artworks using different techniques. Raviniemiโ€™s workplace at the University of Helsinki photography department laboratory also allowed her to make the first artistic radiographic images in Finland. Hundreds of Raviniemiโ€™s radiographic works have been preserved and make up an exceptional ensemble of works in the history of Finnish art photography. In the current exhibition, carefully constructed exhibition prints are accompanied by experimental material that grants us a glimpse of Raviniemiโ€™s curious personality and sense of humor, along with eccentric pictures of cats.   

Hiljaโ€™s husband, chemist Eero Raviniemi (1911โ€“1996) was also an accomplished photographer and pioneer of color photography in Finland. After Eeroโ€™s death, the Raviniemi familyโ€™s photography collection was donated to the Finnish Museum of Photography.

quoted from: Hilja Raviniemi: Sinisen kosketus (A Touch of Blue). Fall 2023 exhibition at the Finnish Museum of Photography (link)

Hilja Raviniemi ~ Untitled (X-ray of flowers), 1960s. ยฉ Suomen valokuvataiteen museo | src own scan
Hilja Raviniemi ~ Rรถntgenkuvattu kรครคrme, 1960-luku, hopeagelatiinivedos | X-rayed snake, 1960s, silver gelatin print
src Suomen valokuvataiteen museo ~ Finnish Museum of Photography.

Tor Ekstrรถm ~ blood drop

Tor Ekstrรถm ~ Potted plant (drop of blood), 1934. Agfa autochrome. (id. TEKA0024148) | src TEKA ~ Tekniska museet
Tor Ekstrรถm ~ Krukvรคxt (bloddroppe), 1934. Agfa-autokrom. (Detail)
Tor Ekstrรถm ~ Krukvรคxt (bloddroppe), 1934. Agfa-autokrom. (id. TEKA0024148) | src TEKA ~ Tekniska museet

Flower study by Gottscho

Samuel Gottscho ~ Flower Study, ca. 1915. Lumiรจre autochrome. | src The Art of the Autochrome & l’ล“il de la photographie (ODLP)
Samuel Gottscho ~ Flower Study, ca. 1915. Lumiรจre autochrome. ยฉ Daniel Blau, Munich

Les Fleurs par Gustave Gain

Gustave Gain ~ Un lys en fleur, 1910-1940. Plaque de verre autochrome. | src Archives de la Manche
Gustave Gain ~ Un lys en fleur, 1910-1940. Plaque de verre autochrome. | src Archives de la Manche
Gustave Gain ~ Une plante ร  fleurs orangรฉes, 1910-1940. Plaque de verre autochrome. | src Archives de la Manche
Gustave Gain ~ Une plante ร  fleurs orangรฉes, 1910-1940. Plaque de verre autochrome. | src Archives de la Manche
Gustave Gain ~ Une plante ร  fleurs bleues, 1910-1940. Plaque de verre autochrome. | src Archives de la Manche
Gustave Gain ~ Une plante ร  fleurs bleues, 1910-1940. Plaque de verre autochrome. | src Archives de la Manche

Fleurs du kapokier ยท autochromes

Lรฉon Busy ~ Feuilles et fleurs du kapokier, environs de Hร -nรดi, Tonkin, Indochine, 1916. Autochrome Lumiรจre. Archives de la Planรจte
Lรฉon Busy ~ Les feuilles et les fleurs du kapokier, environs de Hร -nรดi, Tonkin, Indochine, 1916. Autochrome Lumiรจre. Archives de la Planรจte
Lรฉon Busy ~ Le Petit Lac ou Hoan-Kiem-Ho (ยซ Lac de l’รฉpรฉe restituรฉe ยป), avec son pagodon octogonal appelรฉ ยซ Stรปpa de l’รฎle de la Tortue ยป รฉdifiรฉ en son centre, Hร -nรดi, Tonkin, Indochine, 1914-1921. Autochrome Lumiรจre. Archives de la Planรจte
Lรฉon Busy ~ Les feuilles et les fleurs du kapokier, environs de Hร -nรดi, Tonkin, Indochine, 1916. Autochrome Lumiรจre. Archives de la Planรจte
Lรฉon Busy ~ Des kapokiers en fleurs au bord de la riviere Noire, entre Hoa-binh et Cho-Bรต, Province de Hoa-binh, Tonkin, Indochine, 03/1916. Autochrome Lumiรจre. Archives de la Planรจte

Mission : Lรฉon Busy en Indochine; all images from Musรฉe dรฉpartamental Albert Kahn