Tag: field of flowers

Pinatype by Perscheid, 1900s

field of flowers, pinatype, early color, colour, pinatipie
Nicola Perscheid :: Ms. Änne Jungmann in the lupins, ca1900. Pinatype. | src MK&G
Nicola Perscheid :: Fräulein Änne Jungmann in den Lupinen, um 1900. Pinatypie. | src MK&G

The Pinatype is a dye transfer imbibition process. The colored picture is obtained by superimposing three gelatin films which have been exposed under negatives taken behind color-screens and dyed with corresponding colors.

Nicola Perscheid :: Ms. Änne Jungmann in the lupins, ca. 1900. Pinatype. | src MK&G
Nicola Perscheid :: Ms. Änne Jungmann in the lupins, circa 1900. Pinatype. (Detail) | src MK&G

Snowdrops autochromes, ca. 1910

Hugh C. Knowles :: Flowers in a field, ca. 1910. Autochrome. | src The Royal Photographic Society Collection at the V&A Museum
Hugh C. Knowles :: Flowers in a field, ca. 1910. Autochrome. | src The Royal Photographic Society Collection at the V&A Museum
Hugh C. Knowles :: Snowdrops (top) · Garden study (bottom), England, ca. 1910. Autochromes. | src The Royal Photographic Society Collection at the V&A Museum
Hugh C. Knowles :: Snowdrops (top) · Garden study (bottom), England, ca. 1910. Autochromes. | src The Royal Photographic Society Collection at the V&A Museum
Hugh C. Knowles :: Flower studies, England, ca. 1910. Autochromes. | src The Royal Photographic Society Collection at the V&A Museum
Hugh C. Knowles :: Flower studies, England, ca. 1910. Autochromes. | src The Royal Photographic Society Collection at the V&A Museum

Ralph Lindequist Wilson autokrom

Ralph Lindequist Wilson :: Uten tittel. Trolig 1910-årene. Autokrom. Billedsamlingen, UB Bergen. | src Universitetet i Bergen
“Wilson’s autochrome photograph of a simple bouquet of hand-picked wildflowers in a ceramic vase is a delicate and beautiful example of a classic Still Life. The photograph is also a fine example of experimentation with the aesthetic expression: the bouquet is in sharp focus, but all other parts are blurred and more diffuse.” (quoted from source)
Ralph L. Wilson :: Uten tittel. Dato ukjent. Trolig 1920 – 1930-årene. Autokrom. Billedsamlingen, UB Bergen. | src Universitetet i Bergen
Ralph L. Wilson :: Untitled. Probably between 1920s – 1930s. Autochrome. Billedsamlingen, UB Bergen. | src Universitetet i Bergen
Ralph L. Wilson :: Untitled. Probably between 1920s – 1930s. Autochrome. Billedsamlingen, UB Bergen | src Universitetet i Bergen

Poppies and figs, ca. 1910

Hugh C. Knowles :: Poppies [detail]. Autochrome. | src The Royal Photographic Society Collection at the V&A Museum
Hugh C. Knowles :: Poppies [detail]. Autochrome. | src The Royal Photographic Society Collection at the V&A Museum
Hugh C. Knowles :: Poppies (top) | Poppies and figs (bottom), ca. 1910. Autochrome. | src The Royal Photographic Society Collection at the V&A Museum
Hugh C. Knowles :: Poppies (top) | Poppies and figs (bottom), ca. 1910. Autochrome. | src The Royal Photographic Society Collection at the V&A Museum

Lady in a meadow, 1900

Emile Joachim Constant Puyo :: Dame auf einer Wiese (Lady in a meadow), 1900. Albumen print. | src MK&G ~ Museum für Kunst und Gewerbe (Hamburg)
Emile Joachim Constant Puyo :: Dame auf einer Wiese (Lady in a meadow), 1900. Albumen print. | src MK&G ~ Museum für Kunst und Gewerbe (Hamburg)
Emile Joachim Constant Puyo :: Dame auf einer Wiese (Lady in a meadow), 1900. Albumen print. | src MK&G ~ Museum für Kunst und Gewerbe (Hamburg)
Emile Joachim Constant Puyo :: Dame auf einer Wiese (Lady in a meadow), 1900. Albumen print. | src MK&G ~ Museum für Kunst und Gewerbe (Hambur
Emile Joachim Constant Puyo :: Dame auf einer Wiese (Lady in a meadow), 1900. Albumen print. | src MK&G ~ Museum für Kunst und Gewerbe

Around Us Lie These Mysteries

John Dugdale :: Around Us Lie these Mysteries, ca. 1998. Cyanotype. | src John Dugdale Studio

Song of the Open Road (1856)

(Still here I carry my old delicious burdens;
I carry them, men and women ─ I carry them with me wherever I go;
I swear it is impossible for me to get rid of them;
I am fill’d with them, and I will fill them in return.)

Walt Whitman