
Tender Pantomime, 1976

images that haunt us



Bride’s Cake series
Working on the body of work on food and eroticism that was shown in my 1973 Opening exhibition at the Angela Flowers Gallery, I wanted to create myself as a wedding cake/bride as an art piece presented as a photographic series. I designed and made a construction/costume which I could wear/sit in. It had a removable slice so I could mimic the ceremonial cutting of the cake. It was both parody of a wedding ritual, and recreation from a woman’s point of view.
I posed alone and with a man friend of mine playing the part of the groom, and then my girlfriend acting the part, dressed in a suit. A knife and a life cast of a penis (dildo) were used interchangeably.
From the series I created a Bride’s Book as a facsimile of the traditional wedding album, but much more radical and outrageous in its use of imagery. I collaged various elements, both onto and into the photographs and on the surrounding album page. I printed up a number of the photographs at different sizes and made collages with selected images on various related themes. (quoted from Penny Slinger)













Judy Dater :: Self-Portrait with Steam Vent [Self-Portrait with Sparkler], 1981; gelatin silver print. Courtesy of di Rosa Collection, Napa. | Judy Dater: On Vaginas and Earthsworks | src Art Practical
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