Nymph, 1902-03

Alphonse Mucha :: Nymph in front of a Daffodil frieze, from Documents Decoratifs par A.M.Mucha and published by Librairie Centrale des Beaux Arts. Paris, France, 1902-03. | src V&A Museum

Der schöne Rücken, 1934

Atelier d’Ora ~ Benda :: Der schöne Rücken | The Beautiful Back, 1934 | src MK&G ~ Museum für Kunst und Gewerbe (Hamburg)

Die rote Maske, ca. 1927

Karl Hahn :: Die rote Maske. Jugend: Münchner illustrierte Wochenschrift für Kunst und Leben, 1927, Band 1-2 (Nr. 1-54) | src Universitätsbibliothek Heidelberg
Karl Hahn :: Die rote Maske. Jugend: Münchner illustrierte Wochenschrift für Kunst und Leben, 1927, Band 1-2 (Nr. 1-54) | src Universitätsbibliothek Heidelberg
Karl Hahn :: Die rote Maske. Jugend: Münchner illustrierte Wochenschrift für Kunst und Leben, 1927, Band 1-2 (Nr. 1-54) | src Universitätsbibliothek Heidelberg
Karl Hahn :: Die rote Maske. Jugend Magazin, 1927, Band 1-2 (Nr. 1-54) | src Universitätsbibliothek Heidelberg
Karl Hahn :: Die rote Maske. Jugend Magazin, 1927, Band 1-2 (Nr. 1-54) | src Universitätsbibliothek Heidelberg

Miss Mario (dancer), 1919

Arnold Genthe :: Miss Mario, August 21st, 1919. Glass negative. | src Library of Congress
Arnold Genthe :: Miss Mario, August 21st, 1919. Glass negative. (full scan) | src Library of Congress

Itta Penzo · Bridge on demi-point

N. Vlas'evsky :: Itta Penzo. Bridge on demi-point, 1926. © Collection Otton Engel’s repository, Moscow. Original photographic print, signed: “Vlas’evsky”. Catalogue of the second “Art of Movement” exhibition, 1926. | src Het Nieuwe Instituut: Space Embodied. The Russian Art of Movement 1920-1930
N. Vlas’evsky ~ Itta Penzo. Bridge on demi-point, 1926 © Collection Otton Engel’s repository, Moscow. Original photographic print, signed: “Vlas’evsky”. Catalogue of the second “Art of Movement” exhibition, 1926 | src Nicoletta Misler : The Russian Art of Movement 1920-1930
N. Vlas'evsky :: Itta Penzo. Bridge on demi-point, 1926. © Collection Otton Engel’s repository, Moscow. Original photographic print, signed: “Vlas’evsky”. Catalogue of the second “Art of Movement” exhibition, 1926. | src Het Nieuwe Instituut: Space Embodied. The Russian Art of Movement 1920-1930
N. Vlas’evsky ~ Itta Penzo. Bridge on demi-point, 1926 © Collection Otton Engel’s repository, Moscow | src Space Embodied. The Russian Art of Movement 1920-1930 at Het Nieuwe Instituut

Itta Penzo in the role of Taiakh

N. Vlas’evsky :: Itta Penzo in the role of Taiakh in the ballet Joseph the Beautiful, 1926. Artist’s photographic print, signed: “Vlas’evsky”. Music by S. Vasilenko, designs by B. Erdman and choreography by K. Goleizovsky for the Odessa Theatre of Opera and Ballet, Catalogue of the second “Art of Movement” exhibition, 1926. | src Nicoletta Misler's “The Russian Art of Movement 1920-1930”
N. Vlas’evsky ~ Itta Penzo in the role of Taiakh in the ballet Joseph the Beautiful, 1926. Artist’s photographic print, signed: “Vlas’evsky”. Music by S. Vasilenko, designs by B. Erdman and choreography by K. Goleizovsky for the Odessa Theatre of Opera and Ballet, Catalogue of the second “Art of Movement” exhibition, 1926 | src Nicoletta Misler’s “The Russian Art of Movement 1920-1930”
N. Vlas'evsky :: Itta Penzo. Bridge on demi-point, 1926. © Collection Otton Engel’s repository, Moscow. Original photographic print, signed: “Vlas’evsky”. Catalogue of the second “Art of Movement” exhibition, 1926. | src Het Nieuwe Instituut: Space Embodied. The Russian Art of Movement 1920-1930
N. Vlas’evsky ~ Itta Penzo. Bridge on demi-point, 1926. © Collection Otton Engel’s repository, Moscow. Original photographic print, signed: “Vlas’evsky”. Catalogue of the second “Art of Movement” exhibition, 1926. | src Space Embodied. The Russian Art of Movement 1920-1930 at Het Nieuwe Instituut

Weiblicher Akt, 1910

Egon Schiele :: Weiblicher Akt, 1910. Bleistift, Schwarze Kreide, Pinsel, Aquarell, Deckfarben, Deckweiß, auf braunem Packpapier. | Female Nude, 1910. Pencil, black chalk, brush, watercolor, opaque colors, opaque white, on brown wrapping paper. | src Albertina Museum