James Hargis Connelly ~ Nora Douglas Holt, ca. 1930 | src Yale university Beinecke libraryJames Hargis Connelly ~ Nora Douglas Holt, ca. 1930 | src Yale university library
Jaroslav Fabinger (1899-1942)~ Blonde, 1930-1939; warm-toned gelatin silver print | src AGO ~ Art Gallery of OntarioJaroslav Fabinger (1899-1942)~ Untitled (nude with circle), ca. 1930 | src Howard Greenberg gallery exhibit 2016
Edouard Chimot ~ Etching for Pierre Louÿs’ «La Femme et le Pantin», Paris, 1928
Pierre Louÿs& Edouard Chimot ~ La Femme et le Pantin. Les Editions d’Art Devambez, Paris, 1928 Etchings in colour and black and white by Edouard Chimot | src Chiswick auctionsEdouard Chimot ~ Colour etching for Pierre Louÿs’ «La Femme et le Pantin», Paris, 1928Edouard Chimot ~ Etching for Pierre Louÿs’ «La Femme et le Pantin», Paris, 1928Edouard Chimot ~ Etching for Pierre Louÿs’ «La Femme et le Pantin», Paris, 1928Edouard Chimot ~ Etching for Pierre Louÿs’ «La Femme et le Pantin», Paris, 1928
Ruth Hollick (1883-1977) ~ Miss M. Whitehead, ca. 1910 – ca. 1930. Glass negative | src SLV Whole-length, nude, bending over to touch a shell on the ground (description on State Library of Victoria)Ruth Hollick (1883-1977) ~ Miss Wynn Jones, ca. 1910 – ca. 1930. Glass negative | src SLV ~ State library of Victoria
Heinz von Perckhammer ~ From “Edle Nacktheit in China /The culture of the Nude in China”. Eigenbrödler Verlag [Berlin, 1928] Heinz von Perckhammer ~ From “The culture of the Nude in China”. Eigenbrödler Verlag [Berlin, 1928] Heinz von Perckhammer ~ From “Edle Nacktheit in China”. Eigenbrödler Verlag [Berlin, 1928] 1st edition | src swordersHeinz von Perckhammer ~ Heliogravür. Edle Nacktheit in China. Berlin. Eigenbrödler Verlag [1928] | src mutualArtHeinz von Perckhammer ~ From “Edle Nacktheit in China /The culture of the Nude in China”. Eigenbrodler Verlag [Berlin, 1928] Heinz von Perckhammer ~ From “Edle Nacktheit in China”. Berlin, Eigenbrödler-Verlag, (1928)Heinz von Perckhammer ~ From “The culture of the Nude in China”. Eigenbrödler Verlag [Berlin, 1928] Heinz von Perckhammer ~ Heliogravure from “Edle Nacktheit in China”. Eigenbrödler Verlag [Berlin, 1928] | src mutualArtHeinz von Perckhammer ~ From “The culture of the Nude in China”. Berlin, Eigenbrödler-Verlag, (1928) Heinz von Perckhammer ~ From “Edle Nacktheit in China”. Berlin, Eigenbrödler-Verlag, (1928) | src AbebooksHeinz von Perckhammer ~ Akt. Edle Nacktheit in China. Berlin. Eigenbrödler Verlag [1928] | src Abebooks
Heinz von Perckhammer was born in Merano, Austria-Hungary (now Italy) in 1895. During the First World War he served aboard the SMS Kaiserin Elisabeth during the Siege of Tsingtao and between 1917 and 1919 was held as a prisoner of war. It was during this time when he was held captive that his interest in photography began. He apparently remained in China for much of the 1920s, and took these soft-focused and stylized photographs of women from Macao brothels.
In the introduction to Edle Nacktheit in China he writes: ‘Pictures of nude women, setting aside the ugly caricatures of the “Spring pictures” of erotic scenes, simply do not exist in China. Therefore I believe, I have created something entirely new and of value.’ Edle Nacktheit in China was later banned by the Nazis as Degenerate art (Entartete Kunst) and appeared on the Liste des schädlichen und unerwünschten Schrifttums [List of harmful and undesirable writing].
Heinz von Perckhammer ~ front cover from Edle Nacktheit in China. Berlin. Eigenbrödler Verlag [1928] | src Abebooks