Alvarez Bravo hired a young female model to pose for him while he was teaching photography at the Academia de San Carlos (Academy of San Carlos) in Mexico City in 1937. Over the course of the next few years he created a series of figure studies that are noteworthy for their simple yet powerful compositions. In this picture Alvarez Bravo positioned the young woman on a fabric covered table against a plain white wall. He achieved a balance between divergent elements–stasis and dynamism, tension and relaxation, and positive and negative space.

Manuel Alvarez Bravo directed this model to pose with her head dramatically turned upward. The young woman’s unnatural posture encouraged the presumably male viewer to gaze freely at her eroticized form; her averted face denied her the opportunity to return and confirm the gaze. This pose belongs to an academic tradition of representing women as objects of desire.

Alvarez Bravo produced a series of nude photographs depicting this model. He called the series Morning Notebook, suggesting that the female body was a construction that could be documented and then read like words on a page. During this period, many Surrealist artists, whose work influenced Alvarez Bravo, used the female form in much the same way–for clearly visible consumption. (text quoted from Getty Museum)

(*) Secondary inscription on verso: “Cuaderno de la Mañana (Dicha Puerta)” and “# 8”