three kinds of melon by Woodman

Francesca Woodman :: "From the three kinds of melon in four kinds of light series", 1975-1977. | Victoria Miro Gallery
Francesca Woodman :: "From the three kinds of melon in four kinds of light series", 1975-1977. | Victoria Miro Gallery
Francesca Woodman :: “From the three kinds of melon in four kinds of light series”, 1975-1977. | Victoria Miro Gallery
Francesca Woodman :: "From the three kinds of melon in four kinds of light series", 1975-1977. | The Paris Review
F. Woodman :: from the three kinds of melon in four kinds of light series, 1975-77. | The Paris Review

Nude Francesca, 1972-1980

Francesca Woodman :: Untitled, 1972-1980. Gelatin silver print signed in pencil by George and Betty Woodman. | Bukowski's
Francesca Woodman :: Untitled (Nude), 1972-1980. Gelatin silver print signed in pencil by George and Betty Woodman. | Bukowski's
Francesca Woodman :: Untitled, 1972-1980. Gelatin silver print signed in pencil by George and Betty Woodman. | Bukowski’s

Francesca’s nude self-portraits

Francesca Woodman :: Untitled, Providence, Rhode Island, 1976 (Self-portrait, nude with glass) | Kode museer
Francesca Woodman ~ Untitled, Providence, Rhode Island, 1975-1978. Christen Sveaas’ Kunststiftelse. | Private Eyes @ Kode museer
Francesca Woodman ~ Untitled, Providence, Rhode Island, 1976 (Self-portrait, nude with glass) | src Sotheby’s
Francesca Woodman :: Untitled, Providence, Rhode Island. Relating to Portrait of a Reputation, 1975-76. | src Sotheby's
Francesca Woodman ~ Untitled, Providence, Rhode Island. Relating to Portrait of a Reputation, 1975-76. | src Sotheby’s

Women and calla lilies

Kim Weston :: Nude within Callas | Print of the Month | December 2006
Kim Weston :: Nude within Callas | Print of the Month | December 2006
Kim Weston :: Gina and Basket with Callas | src Kim Weston - Prints of the month (2002)
Kim Weston :: Gina and Basket [with callas / calla lilies] | src Kim Weston – Prints of the month (2002)

Dancer by Lipnizki, ca. 1926

Studio Lipnitzki :: Danseuse de ballet russe dans l’atelier de Paul Colin. Paris, vers 1926. Tirage argentique viré d’époque. | Lumière des roses # 11
Studio Lipnitzki :: Danseuse de ballet russe dans l’atelier de Paul Colin. Paris, vers 1926. Tirage argentique viré d’époque. | Lumière des roses # 11

Nudes on colored daguerreotypes

Félix-Jacques Moulin ~ Nude woman, colored daguerreotype, between ca. 1851-1854. Scanned from book. Retrieved from wikimedia commons
Félix-Jacques Moulin ~ Nude woman, colored daguerreotype, between ca. 1851-1854. Scanned from book | src wikimedia
Félix-Jacques Moulin ~ [Les baigneuses : étude de nus dans une composition picturale], 1851-55; daguerréotype coloriée | src BnF

see all related post with photographs by Félix-Jacques Moulin clicking on the category or tag or just clicking here

Félix-Jacques Moulin ~ [Female nude standing with back to full-length mirror], 1851-53. Daguerreotype, hand-colored | src Google Arts

Félix-Jacques Antoine Moulin (1802 – 1875) was a French photographer.
In 1849, Moulin opened a photographer’s studio at 31 bis rue du Faubourg Montmartre and started producing daguerreotypes of young girls aged 14 to 16. In 1851, Moulin’s work was confiscated, and he was sentenced to one month imprisonment for the “obscene” character of his works, “so obscene that even to pronounce the titles would violate public morality” according to court records.
After his release, Moulin continued his activities more discreetly. He taught photography, sold photographic equipment, and had a backdoor installed to his studio to dodge further legal problems. His works gained esteem from critics.
In 1856, Moulin made a photographic trip to Algeria, with a tonne of equipment, backed and financed by the French government, which allowed it to gain benefit from the structures of colonialism. There, he met technical difficulties due to variations in humidity, work in the open, and the quality of water, but managed nonetheless to extensively document the benefit of French colonies in Northern Africa. | quoted from Google Arts & Culture, here

Tatiana (nue) par Lessieux

Ernest-Louis Lessieux :: Tatiana posant accroupie sous un voile (titre factice), plaque de verre autochrome, après 1907. Conseil des musées. Le musée de l'île d'Oléron
Ernest-Louis Lessieux :: Tatiana posant accroupie sous un voile (titre factice), plaque de verre autochrome, après 1907. Conseil des musées. Le musée de l’île d’Oléron
Ernest-Louis Lessieux :: Tatiana posant nue de profil dans un jardin (titre factice), plaque de verre autochrome, après 1907. Conseil des musées. Le musée de l'île d'Oléron
Ernest-Louis Lessieux :: Tatiana posant nue de profil dans un jardin (titre factice), plaque de verre autochrome, après 1907. Conseil des musées. Le musée de l’île d’Oléron
Ernest-Louis Lessieux :: Tatiana posant nue avec un voile rouge (titre factice), plaque de verre autochrome, après 1907. Conseil des musées. Le musée de l'île d'Oléron
Ernest-Louis Lessieux :: Tatiana posant nue avec un voile rouge (titre factice), plaque de verre autochrome, après 1907. Conseil des musées. Le musée de l’île d’Oléron

Tatiana nue par Lessieux, 1907

Ernest-Louis Lessieux :: Tatiana nue sur une plage d'Oléron (titre factice), plaque de verre Autochrome, 1907. Conseil des musées. Le musée de l'île d'Oléron
Ernest-Louis Lessieux :: Tatiana nue sur une plage d’Oléron (titre factice), plaque de verre Autochrome, 1907. Conseil des musées. Le musée de l’île d’Oléron
Ernest-Louis Lessieux :: Tatiana posant nue sur une plage d'Oléron (titre factice), plaque de verre Autochrome, 1907. Conseil des musées. Le musée de l'île d'Oléron
Ernest-Louis Lessieux :: Tatiana posant nue sur une plage d’Oléron (titre factice), plaque de verre Autochrome, 1907. Conseil des musées. Le musée de l’île d’Oléron

Tatiana, femme d’origine russe ayant servi de modèle à Louis Lessieux, pose sur un certain nombre de photographies autochromes dont cinq connues la représentant sur une plage de l’île d’Oléron.

Tatiana, a woman of Russian origin who served as a model for Louis Lessieux, poses in a number of Autochrome photographs, five of which are known to represent her on a beach on the island of Oléron. (quoted from source)