Erna Morena · Portrait mit Hut

Atelier Binder :: Schauspielerin Erna Morena, Portrait mit Hut. Photochemie, nº K. 1739. Photo: Alex Binder, Berlin. | src Flickr
Atelier Binder :: Schauspielerin Erna Morena, Portrait mit Hut. Photochemie nº K 1738 (Postkarte). | German silent era actress Erna Morena. Portrait with hat. German postcard by Photochemie, Berlin, nº K. 1738. (A. Binder) | src Flickr

Gloria Swanson, 1919

Karl Struss :: Gloria Swanson in Male and Female, 1919. Directed by Cecil B. DeMille.
Gelatin silver print © The John Kobal Foundation
src ArtBlart (Marcus Bunyan)
Karl Struss :: Gloria Swanson in Male and Female, 1919. Directed by Cecil B. DeMille.
Gelatin silver print © The John Kobal Foundation
src ArtBlart (Marcus Bunyan)

Anita Berber in Wien · 1922

Madame d'Ora :: Anita Berber Bildnis in Tanzpose (ganze Figur stehend, 3-4 links). Fotografische Reproduktion. | Anita Berber portrait in dance pose (whole figure standing, 3-4 left), 1922. | src ÖNB
Madame d’Ora :: Anita Berber Bildnis in Tanzpose (ganze Figur stehend, 3-4 links). Fotografische Reproduktion. | Anita Berber portrait in dance pose (whole figure standing, 3-4 left), 1922. | src ÖNB
Die deutsche Tänzerin hielt sich zwischen 1920 und 1923 in Wien auf. Mit der Verkörperung der Astarte reagierte sie auf die Zuschreibung “Nackttänzerin”. (Foto: Atelier d’Ora) | src der Standard
Madame d'Ora; Anita Berber Bildnis in Tanzpose; carte postale
Anita Berber, carte postale. | src skyrock

Margaritha Sacchetto, 1922

Franz Löwy :: Full figure portrait of German dancer and actress Rita Sacchetto (born Margaritha Sacchetto), after married Countess Zamoysky. Published by ‘Berliner Illustrirte Zeitung’, 07/1922. | src Ullstein Bild via Getty Images

Annette Kellerman, ca. 1920

Orval Hixon :: Portrait of  Autralian swimmer and actress Annette Kellerman, circa 1920. Profile of female dancing. She is wearing ballerina slippers and a feathery costume. Her arms are posed in front of her. | src Spencer Museum of Art – The Kansas University

Andrée Spinelly, 1924-1927

Andrée Spinelly, Paris, 1927 | src The Guardian: Fops and flappers: wild fashions of the 1920s
Madame d'Ora :: Andrée Spinelly, published in ‘Revue des Monats’, March 1927
Madame d’Ora :: Andrée Spinelly, published in ‘Revue des Monats’, March 1927
Andrée Spinelly, Paris, 1927. These bejewelled creations hit new heights of eroticism and sophistication in the outfits worn by dancers at Parisian nightclubs like the Moulin Rouge. src The Guardian: Fops and flappers: wild fashions of the 1920s
Andrée Spinelly, Paris, 1927. These bejewelled creations hit new heights of eroticism and sophistication in the outfits worn by dancers at Parisian nightclubs like the Moulin Rouge | src The Guardian: Fops and flappers: wild fashions of the 1920s
Photo G. L. Manuel frères. Mlle. Spinelly. The beautiful fantaisiste, who is also a high-class actress, has just successfully taken over L’Ecole des Cocottes at the Paris theater. Original: La belle fantaisiste, qui est aussi une comédienne de grande classe, vient de reprendre avec succès L’Ecole des Cocottes au théâtre de Paris. Le Théâtre et Comœdia illustré, Octobre 1924. | src BnF ~ Gallica
Photo G. L. Manuel frères. Mlle. Spinelly. The beautiful fantaisiste, who is also a high-class actress, has just successfully taken over L’Ecole des Cocottes at the Paris theater. Original: La belle fantaisiste, qui est aussi une comédienne de grande classe, vient de reprendre avec succès L’Ecole des Cocottes au théâtre de Paris. Le Théâtre et Comœdia illustré, Octobre 1924 | src BnF ~ Gallica
French actress Andrée Spinelly (1887-1966) known as Spinelly. Vintage French postcard. A.N. [Alfred Noyer], Paris, nº 49, 1920s. Photo by Studio G.L. Manuel Frères | src Flickr