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Nude with fan by A.F. Kales

Born in the Arizona territory, Arthur Kales received a law degree from the University of California at Berkeley in 1903. While living in the Bay Area, he became interested in the burgeoning Pictorialist movement in photography that flourished there, and his images met with immediate success. Kales moved to Los Angeles to work in advertising but returned to San Francisco in 1917. In the following year, he nevertheless joined the Camera Pictorialists of Los Angeles. For fourteen years beginning in 1922, Kales wrote about Pictorialist photography in western America for the journal Photograms of the Year. [quoted from Getty museum]

Arthur F. Kales (1881 – 1936) ~ Poster [female nude with big fan]. From Photograms of the Year, mid 1930s | src flickr

Desiree Lubovska · 1919

Press Photo. Ballet Dancer Désirée Lubovska Demonstrates a Dance (ca. 1919) | src eBay
Press Photo. Ballet Dancer Desiree Lubovska in a Dance, 1919. | src eBay

Sisters G by Binder, 1929

Alexander Binder :: Sisters G. Scherl’s Magazin, Band 5, H.7, Juli 1929
Alexander Binder :: Sisters G. Scherl’s Magazin, Band 5, H.7, Juli 1929
Alexander Binder :: Sisters G. Scherl’s Magazin, Band 5, H.7, Juli 1929
Alexander Binder :: Sisters G. Scherl’s Magazin, Band 5, H.7, Juli 1929
Alexander Binder :: Sisters G. Scherl’s Magazin, Band 5, H.7, Juli 1929 [Detail]

Spanish women attired in 1924

Jules Gervais Courtellemont :: Portrait of a woman dressed in clothing typical of Lagartera in Toledo, Spain, August 1924. Autochrome
Jules Gervais Courtellemont :: Portrait of a woman dressed in clothing typical of Lagartera in Toledo, Spain, August 1924. Autochrome. | src National Geographic
Jules Gervais Courtellemont :: Portrait of a woman dressed in clothing typical of Lagartera in Toledo, Spain, August 1924. Autochrome. | src National Geographic
Jules Gervais Courtellemont :: A woman dressed for a bullfight stands in a doorway, August 1924. Autochrome. | src Luminous Lint LL/50049
Jules Gervais Courtellemont :: A woman dressed for a bullfight stands in a doorway, August 1924. Autochrome. | src Luminous Lint LL/50049

The Fan (Margrethe Mather)

Edward Weston :: The Fan - Margrethe Mather; 1914. Platinum or Palladium print.  CCP - University of Arizona
Edward Weston :: The Fan – Margrethe Mather; 1914. Platinum or Palladium print. CCP – University of Arizona
Edward Weston :: Margrethe Mather - The Fan, ca. 1917. |  src kim weston blog
Edward H. Weston :: Margrethe Mather – The Fan, ca. 1917. | src kim weston blog

Eastern Beauty, ca. 1933

Violet Keene Perinchief (1893-1967) :: Eastern Beauty. A portrait of a Chinese Lady, silver gelatin print mounted on exhibition board, Toronto, ca. 1933. [Original photograph signed lower left in pencil: Violet Keene] | src Bonhams
Violet Keene Perinchief (1893-1967) :: Eastern Beauty. A portrait of a Chinese Lady, silver gelatin print mounted on exhibition board, Toronto, ca. 1933. [Original photograph signed lower left in pencil: Violet Keene] | src Bonhams
Violet Keene Perinchief (1893-1967) :: Eastern Beauty. A portrait of a Chinese Lady, silver gelatin print mounted on exhibition board, Toronto, ca. 1933. [Original photograph signed lower left in pencil: Violet Keene] | src Bonhams
Violet Keene Perinchief (1893-1967) :: Eastern Beauty. A portrait of a Chinese Lady, silver gelatin print mounted on exhibition board, Toronto, ca. 1933. [Original photograph signed lower left in pencil: Violet Keene] | src Bonhams

This portrait is an example of one of the many that Violet Keene became famous for. She established and ran a studio in Toronto for her mother’s work from 1933, and later a studio for her own photography. She studied photography under her mother’s guidance from an early age, and this portrait has many of the classic Minna Keene attributes of her portraits taken in Cape Town around 1910, notably the floral background and position of the face looking away from the camera. Violet exhibited her work around the world and had a loyal following. [quoted from source]

Anne Branché als “Bet-ti-bo”

Rudolf Krziwanek :: Rollenporträt. Anne Branché als “Bet-ti-bo” in Der Mikado oder Ein Tag in Titipu, um 1890.
Rudolf Krziwanek :: Role portrait. Anne Branché as “Bet-ti-bo” in The Mikado or A Day in Titipu, ca. 1890.
src Theatermuseum Wien