Sch von Friedrich Seidenstücker

Friedrich Seidenstücker (1882-1966) ~ Ohne Titel (Sch), 1930 | src Käthe Kollwitz Museum Köln [X]

Friedrich Seidenstücker : Life in the city | The Ann and Jürgen Wilde Foundation

Pinakothek der Moderne | 26.05.2023 — 24.09.2023

Friedrich Seidenstücker (1882–1966) was one of the foremost chroniclers of everyday life in Berlin at the time of the Weimar Republic. His atmospheric works recount casual incidents and events, lighthearted Sunday pleasures and the burdens of the working day, children’s street games and bustling crowds at stations and the zoo. Seidenstücker casts the people and the life of the German metropolis in an impish, even humorous light. (text from PderM)

Even though Seidenstücker is regarded as a typical Berlin photographer, he is also known far beyond the city limits – not least because he paid outstanding attention to one aspect in particular: his pictures reveal a sense of humour which is rarely found in photography. Friedrich Seidenstücker’s oeuvre evolved from this approach: founded in optimism, but never drawing a veil over the appalling conditions, harshness, poverty and misery of his age. (text from Berlinische Galerie BG)

Jenny Hasselqvist film-portraits

Jenny Hasselqvist as Marit in Mauritz Stiller’s Johan (1921), based on the novel Juha by Juhani Aho. | src IMdB
Jenny Hasselquist in Mauritz Stiller’s film Johan, 1921, photo from Hasselquist’s archive.
Jenny Hasselquist i Mauritz Stillers film Johan, 1921, foto ur Hasselquists arkiv. | src Dansmuseet · IG
Jenny Hasselquist i filmen Brennende Grenze (Aftermath, aka The Jackals), 1926, foto: okänd. | src Dansmuseet on IG

Erika Mann as Elisabeth, 1929

Grete Vester :: Erika Mann als Elisabeth in Schillers Don Carlos, Munich, 1929. Foto: Grete Vester. | src Münchner Stadtbibliothek - Monacensia via N & N Magazine
Grete Vester :: Erika Mann als Elisabeth in Schillers Don Carlos, Munich, 1929. Foto: Grete Vester. | src Münchner Stadtbibliothek – Monacensia via N & N Magazine
Grete Vester :: Erika Mann (1905 - 1969) as Elisabeth in Schiller’s Don Carlos, Munich, 1929. Foto: Grete Vester. © Münchner Stadtbibliothek - Monacensia. | src Erika Mann: Cabaret artist – war correspondent – political speaker exhibition by Monacensia im Hildebrandhaus
Grete Vester :: Erika Mann (1905 – 1969) as Elisabeth in Schiller’s Don Carlos, Munich, 1929. Foto: Grete Vester. © Münchner Stadtbibliothek – Monacensia. | src Erika Mann: Cabaret artist – war correspondent – political speaker exhibition by Monacensia im Hildebrandhaus

The Picture was taken before the journalistic campaign carried out by the National Socialist press organs against Erika Mann [in response to her participation in the pacifist women’s associations rally that took place in the hall of the Münchner Hotel Union on the evening of 13th January 1932] put an end to her career in Germany. This discrediting press campaign launched over the next days after the demonstration denounced the organizers as “a club of contenders for the lunatic asylum” and “pacifist peace hyenas”.
(quoted from Künste im Exil · Arts in Exile)

H. Kreutzberg. Gestures, ca. 1927

Armstrong Roberts :: Dancer, Choreographer and Actor Harald Kreutzberg. Portrait of the solo dancer of the Berlin State Opera, ca. 1927. Ullstein Bild. | src and hi-res Getty Images