Ruth Page in Tropic · 1949

Ruth Page (1899-1991) in Tropic, 1949 | src NYPL

Tanzmasken von Lavinia Schulz

**Minya Diez-Dührkoop** (1873–1929) ~ Tanzmaske *Technik* von Lavinia Schulz, Hamburg, 1924 | src MK&G

Ankündigung eines Tanzabends in Form einer Postkarte (Lavinia Schulz), 11. Oktober 1922

**Minya Diez-Dührkoop** (1873–1929) ~ Tanzmaske *Springvieh* von Lavinia Schulz, Hamburg, 1924 | src MK&G

**Minya Diez-Dührkoop** (1873–1929) ~ Tanzmaske *Skirnir* von Lavinia Schulz, Hamburg, 1924 | src MK&G

laviniaschulz by Thomas Ruff

**Thomas Ruff ~** neg◊laviniaschulz_07, 2021, c-print. Work from the series *of Negative* | src Mai 36 Galerie

The neg◊laviniaschulz subgroup from the series of Negative are expressionist dance studies of the dancer Lavinia Schulz and the actor Walter Holdt in full-body masks, which they both designed together in the early 1920s.
The starting point of the series are photographs of the 19th and 20th century (by Minya Diez-Dührkoop), which have a typical brown patina and whose motifs cover the entire range of historical photography. When these photographs are inverted (reversing the positive into the negative), a high-contrast blue tone emerges, and the compositional design comes to the fore. Thus, the negative, the actual ‘original’ of a photograph, which threatens to disappear completely due to the triumph of digital photography, becomes the object of contemplation.

text adapted from source : Mai 36 Galerie

**Thomas Ruff ~** neg◊laviniaschulz_16, 2021, c-print. Work from the series *of Negative* | src Mai 36 Galerie

**Thomas Ruff ~** neg◊laviniaschulz_14, 2021, c-print. Work from the series *of Negative* | src Mai 36 Galerie

Paula Nireńska in Krzyk · 1933

Paula Nireńska, zdobywczyni II nagrody, w tańcu Krzyk. I Międzynarodowy Konkurs Artystycznego Tańca Solowego w Warszawie (1933)

Paula Nireńska, winner of the 2nd prize, in the Scream dance. 1st International Artistic Solo Dance Competition in Warsaw (1933)

source of both images : Narodowe Archiwum Cyfrowe

Maria Fredro expressionist dance

Maria Fredro from Vienna in an expressionist dance. 1st International Artistic Solo Dance Competition in Warsaw (1933)

Maria Fredro z Wiednia w tańcu ekspresyjnym. I Międzynarodowy Konkurs Artystycznego Tańca Solowego w Warszawie (1933)

source of both images : Narodowe Archiwum Cyfrowe

Akesson by Sundahl · 1949

**Sune Sundahl ~** Dansbild med Birgit Åkesson, 03.01.1949. Arkitektur- och designcentrum · Ark Des / ARKM.1988-111-05485-5

**Sune Sundahl ~** Dance picture with Birgit Åkesson, January 3, 1949. Center for Architecture and Design · Ark Des / ARKM.1988-111-05485-3

The images above are part of the exhibition: «Dansen har mycket gemensamt med arkitektur» / «Dance has a lot in common with architecture» (2013)

Arkitektur- och designcentrum / Center for Architecture and Design (Ark Des)

Birgit Åkesson, foto: okänd. | src Dansmuseet • IG

Both images above this line are uncredited in source: Dansmuseet (view post in this blog : Birgit Åkesson training), but we reckon that them could belong to the same photo-session with Sune Sundahl

Birgit Akesson by Sune Sundahl

**Sune Sundahl ~** Birgit Åkesson dances in a draping dress. Picture taken in studio. Architecture and Design Center Ark Des / ARKM.1988-111-02796

**Sune Sundahl ~** Birgit Åkesson dansar i draperande klänning. Bilden tagen i studio. Arkitektur- och designcentrum Ark Des / ARKM.1988-111-02799

**Sune Sundahl ~** Birgit Åkesson dances in a long draped dress. Picture taken in studio. Architecture and Design Center Ark Des / ARKM.1988-111-02795

**Sune Sundahl ~** Birgit Åkesson dances in a draping dress. Picture taken in studio. Architecture and Design Center Ark Des / ARKM.1988-111-02800-A

**Sune Sundahl ~** Birgit Åkesson dansar i draperande klänning. Bilden tagen i studio. Arkitektur- och designcentrum Ark Des / ARKM.1988-111-02800-B

**Sune Sundahl ~** Birgit Åkesson dances in a draped dress. Picture taken in studio. Architecture and Design Center Ark Des / ARKM.1988-111-02801

All the images in this post are from the exhibition: «Dansen har mycket gemensamt med arkitektur» (2013). Some of the images are dated 1939-1947 but most of them undated.

«Dance has a lot in common with architecture» (2013)

Movement, rhythm, space and body in dance have much in common with architecture. Spatiality can only be experienced with the body, in movement. There are several good reasons to pay attention to the connections between the room shape and people’s movements in the rooms. Whether dancing or walking around a building, there is both flow and embodiment. Perhaps it was precisely these common denominators that made Birgit Åkesson choose the architectural photographer Sune Sundahl to document her early choreographies?

Photographing movement is a big challenge, a movement in a frozen moment can easily turn into a rigid pose without context or dynamism. In Sundahl’s collection there are, among other things, pictures from Birgit Åkesson’s own performance Blue Evening from 1946. The title was probably taken from the blue-painted Konserthuset in Stockholm, designed by Ivar Tengbom 1924-26. Here, Birgit Åkesson experimented with movements without music, which was unique for the time. She also studied during her lifetime the dances of other cultures, including dances African dances from the south of the Sahara and the Butoh dance from Japan.

The dancer, choreographer and dance researcher Birgit Åkesson (1908-2001) taught the viewer to listen to the sound of movement in the silence. It was about holding a dialogue, where the rhythm carried the form that left invisible traces in the air. Birgit Åkesson started her dance career in the 1920s and 30s when she studied with the German-born choreographer Mary Wigman. It was from her that the Swedish dancer found the expressionist language, the free dance. Birgit Åkesson was one of the leading avant-garde artists in free dance.

Lenita Gärde, Center for Architecture and Design (quoted from ArkDes)

**Sune Sundahl ~** Birgit Åkesson dansar i draperande klänning. Bilden tagen i studio. Arkitektur- och designcentrum Ark Des / ARKM.1988-111-02804

**Sune Sundahl ~** Birgit Åkesson dansar i draperande klänning. Bilden tagen i studio. Arkitektur- och designcentrum Ark Des / ARKM.1988-111-02805

Akesson by Sune Sundahl

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-6

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-1

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-2

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-3

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-4

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-5

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-7

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02857

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-8

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-9

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-10

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-11

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-12

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-13

All the images in this post are from the exhibition: «Dansen har mycket gemensamt med arkitektur» (2013). Some of the images are dated 1939-1947 and most of them undated.

«Dance has a lot in common with architecture» (2013)

Photographing movement is a big challenge, a movement in a frozen moment can easily turn into a rigid pose without context or dynamism. In Sundahl’s collection there are, among other things, pictures from Birgit Åkesson’s own performance Blue Evening from 1946. The title was probably taken from the blue-painted Konserthuset in Stockholm, designed by Ivar Tengbom 1924-26. Here, Birgit Åkesson experimented with movements without music, which was unique for the time. She also studied during her lifetime the dances of other cultures, including dances south of the Sahara in Africa and the Butoh dance from Japan.

Lenita Gärde, Center for Architecture and Design (quoted from ArkDes)

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02856

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-14

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-15

**une Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02859

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-17

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-18

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-19

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-20

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-21

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-22

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02954-23

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02863

**Sune Sundahl ~** Dansaren Birgit Åkesson med kollegor under matrasten. ARKM.1988-111-02954-24

Akesson by Sune Sundahl

**Sune Sundahl (1921-2007) ~** Dancer Birgit Akesson. Arkitektur- och designcentrum ARKM.1988-111-02858

**Sune Sundahl (1921-2007) ~** Dancer Birgit Akesson. Arkitektur- och designcentrum ARKM.1988-111-02855

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02798

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02860

**Sune Sundahl (1921-2007) ~** Dancer Birgit Akesson. Arkitektur- och designcentrum ARKM.1988-111-02794

**Sune Sundahl (1921-2007) ~** Dancer Birgit Akesson. Arkitektur- och designcentrum ARKM.1988-111-02797

**Sune Sundahl (1921-2007) ~** Dancer Birgit Akesson. Arkitektur- och designcentrum ARKM.1988-111-02802

**Sune Sundahl (1921-2007) ~** Dancer Birgit Akesson. Arkitektur- och designcentrum ARKM.1988-111-02803

**Sune Sundahl (1921-2007) ~** Dancer Birgit Akesson. Arkitektur- och designcentrum ARKM.1988-111-02861

**Sune Sundahl (1921-2007) ~** Dancer Birgit Akesson. Arkitektur- och designcentrum ARKM.1988-111-02862

**Sune Sundahl ~** Dansbild med Birgit Åkesson. Arkitektur- och designcentrum ARKM.1988-111-02865

All the images in this post are from the exhibition: «Dansen har mycket gemensamt med arkitektur» (2013). Some of the images are dated 1939-1947 and most of them undated.

«Dance has a lot in common with architecture» (2013)

Photographing movement is a big challenge, a movement in a frozen moment can easily turn into a rigid pose without context or dynamism. In Sundahl’s collection there are, among other things, pictures from Birgit Åkesson’s own performance Blue Evening from 1946. The title was probably taken from the blue-painted Konserthuset in Stockholm, designed by Ivar Tengbom 1924-26. Here, Birgit Åkesson experimented with movements without music, which was unique for the time. She also studied during her lifetime the dances of other cultures, including dances south of the Sahara in Africa and the Butoh dance from Japan.

Lenita Gärde, Center for Architecture and Design (quoted from ArkDes)

Rolf Arco · Dance of Suicide

cry, suicide, desperation, dancer, dance, Tanz

Desperate cry. Rolf Areo in the Dance of the Suicide from the ballet "The Five Wishes" by Max Terpis and Rolf Areo. Stage design. Photographer: Elli Marcus.
Published in Scherl's magazine in November 1929 — **Elli Marcus ::** Verzweifelter Aufschrei. Rolf Arco im Tanz des Selbstmörders im Ballett “Die fünf Wünsche” von Max Terpis und Rolf Areo. Bühnenbild. Scherl’s Magazin, B. 5, H.11, November 1929

Desperate cry. Rolf Arco in the Dance of the Suicide from the ballet “The Five Wishes” by Max Terpis and Rolf Arco. Stage design. Photographer: Elli Marcus.

Published in Scherl’s magazine in November 1929