Gypsy Rhoumaje, ca. 1925

“Musik in der Bewegung – Die Tänzerin Gipsy Rhouma-je”. Kunstdruck nach einer Radierung von / Art print after an etching by
Max Pollak. Großer Kunstdruck aus dem Jahr 1932. | src eBay
“Music in motion – The dancer Gipsy Rhouma-je”. Kunstdruck nach einer Radierung von / Art print after an etching by
Max Pollak. Großer Kunstdruck aus dem Jahr 1932. (Full page) | src eBay
Max Pollak :: Gipsy Rhouma-Jé (Gypsy Rhoumaje), ca. 1925. Color aquatint with etching. | src Annex Galleries

Kitty Starling, ca. 1925

Max Pollak :: La danseuse ~ Kitty Starling, ca. 1925. Color etching on paper. | src Mills College Art Museum

Tanečnice Kitty Starling, 1930s

Max Pollak :: Tanečnice Kitty Starling. léta 20. století, barevný lept, suchá jehla, papír. | Dancer Kitty Starling 1930s, color etching, drypoint, paper. | src Patrik Šimon

Dancer Thea von Ujj , ca. 1925

Max Pollak :: Thea von Ujj , ca. 1925. Color aquatint with etching. |src Annex Gallery
«While in Vienna Max Pollak became involved in the avant-garde dance scene. He did a series of intaglio portraits of dancers, usually costumed and posed, from one of their noted performances. He is sometimes credited with being ‘the first etcher to turn his attention to the dance as a subject‘.»

Tänzerin Maria Ley

Max Pollak :: Die Tänzerin Maria Ley. Eau-forte à la pointe sèche. (Etching with drypoint) | src Dogny Auction

Lying Figure, 1926 (nude)

Max Pollak :: Lying Figure, 1926. Drypoint etched on copper plate made from discarded WWI ammunition shell. | src Annex Gallery

Maria Ley von Max Pollak

Max Pollak ~ Die Tänzerin Maria Ley. Originalradierung. Die Graphischen Künste, 1924. Verlag der Gesellschaft für Vervielfältingrnde Kunst, Wien | src Universitätsbibliothek Heidelberg
Max Pollak ~ Die Tänzerin Maria Ley. Radierung in Rot | Dancer Maria Ley. Etching in red | src Auktionshaus Kiefer via LotSearch