Elsa by Leopoldo Pomés

Leopoldo Pomés :: Elsa, 1971. From: 'Diaries' Portfolio. Anne Clergue Galerie
Leopoldo Pomés :: Elsa, 1971. From: ‘Diaries’ Portfolio. Anne Clergue Galerie
Leopoldo Pomés :: Elsa, 1971. Arxiu L. Pomés. | src Arles 2022 @ ODLP
Leopoldo Pomés :: Elsa, 1971. Arxiu L. Pomés. | src Arles 2022 @ ODLP
Leopoldo Pomés :: Elsa 2, 1971. Gelatina de plata en papel baritado. | src Fotocolectania
Leopoldo Pomés :: Elsa 2, 1971. Gelatina de plata en papel baritado. | src Fotocolectania

La photographie érotique

Female Nude. Attributed to Félix Jacques Moulin (French, 1802 - 1875); 1856; Albumen silver print. From «Reconsidérer la photographie érotique» | src l'œil de la photographie
Female Nude. Attributed to Félix Jacques Moulin (French, 1802 – 1875); 1856; Albumen silver print. From: Abigail Solomon-Godeau: «Reconsidérer la photographie érotique» | src l’œil de la photographie
Anonyme, Académie, vers 1845, daguerréotype. From: Abigail Solomon-Godeau: «Reconsidérer la photographie érotique» | src l'œil de la photographie
Anonyme, Académie, vers 1845, daguerréotype. From: Abigail Solomon-Godeau: «Reconsidérer la photographie érotique» | src l’œil de la photographie
Anonyme, Nu, vers 1848, daguerréotype (stereo). From: Abigail Solomon-Godeau: «Reconsidérer la photographie érotique» | src l'œil de la photograp
Anonyme, Nu, vers 1848, daguerréotype (stereo). From: Abigail Solomon-Godeau: «Reconsidérer la photographie érotique» | src l’œil de la photographie
Two Women Embracing. Unknown French maker; about 1848; Daguerreotype, hand-colored. From: Abigail Solomon-Godeau: «Reconsidérer la photographie érotique» | src l'œil de la photographie
Two Women Embracing. Unknown French maker; about 1848; Daguerreotype, hand-colored. From: Abigail Solomon-Godeau: «Reconsidérer la photographie érotique» | src l’œil de la photographie

The title is intriguing: «Reconsidérer la photographie érotique». (“Reconsidering erotic photography”).
The text itself is brilliant and of great intelligence.

In this 1987 essay, historian Abigail Solomon-Godeau traces avenues for exploring a history of erotic and pornographic photographic production, a history hitherto repressed and absent from narratives. Thus opening the door to a feminist and revised history of the photographic medium, she shows how much this imagery has been abundant and present almost from the origins of photography. In “Reconsidering erotic photography”, Abigail Solomon-Godeau analyzes the ways in which naked bodies are presented in several photographic images from the 1840s-1850s, whether academic nudes or images intended for other types of visual consumption, and questions the specificity of photographic representation as opposed to other mediums. Supporting feminist theories, she raises the question of how these images are viewed, and the ambiguity of their designation, between eroticism and pornography. At the heart of this pioneering essay in the history of photography, she defends the need to write the history of these often set aside productions.

Reconsidérer la photographie érotique.
Notes pour un projet de sauvetage historique

Abigail Solomon-Godeau
Éléonore Challine (éd. et trad.),
Éditions de la Sorbonne, 2022
quoted from l’œil de la photographie

Vederemo (We will see), 1921

Vederemo (Willy Stieborsky). Sollte ich unbewußt die nächste Frühjahrsmode kreiert haben? | Should I have unconsciously created the next spring fashion?
Published in Die Muskete, Wien, 25 August 1921. | src ÖNB

Die ewige Eva | Eternal Eve, 1921

Die ewige Eva | Eternal Eve, Die Muskete front cover by Henri Krenes. Wien, 1 Dezember 1921. | src ÖNB
Im Kampfe zwischen Leib und Geist / Obsiegt der erstere zumeist. / Das ewig Geistige ödet uns an; / Das Leiblich-Weibliche zieht uns hinan.
In the struggle between body and spirit / The former prevails mostly. / The eternal spiritual bores us; / The bodily-feminine attracts us.
Die ewige Eva | The Eternal Eve, Die Muskete front cover by Henri Krenes. Wien, 1 December 1921. | src ÖNB
Im Kampfe zwischen Leib und Geist / Obsiegt der erstere zumeist. / Das ewig Geistige ödet uns an; / Das Leiblich-Weibliche zieht uns hinan.
In the struggle between body and spirit / The former prevails mostly. / The eternal spiritual bores us; / The bodily-feminine attracts us.

Gog et Magog, 1967

Pierre Molinier :: Gog et Magog. Photomontage original, 1967. Image n° 18 du Chaman et ses créatures. Tirage d’époque, annoté par l’artiste au verso. | src Sotheby’s
Pierre Molinier :: Gog et Magog, 1967. | src Sotheby’s