Jean Arriat :: “La leçon de broderie”, ca. 1930. Original charbon Fresson print for the exhibition, mounted on cardboard, signed and captioned in pencil on the mounting. On verso: admission label to the XXVe Salon International d’Art Photographique, Paris, October 1930. | src Millon ~Drouot
Hannah Höch :: Watched, 1925. Höch feminizes the Dada movement’s engagement with the everyday by pairing craft techniques, traditionally seen as women’s work, with the avant-garde strategy of photomontage. | src MoMA
un regard oblique 