
Edward Steichen :: Actress Mary Heberden, 1935. Gelatin silver photograph.
Courtesy Condé Nast Archive. src: ArtBlart
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images that haunt us

Edward Steichen :: Tamaris with a large Art Deco scarf, 1925. Gelatin silver photograph. | src l’oeil de la photographie
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Edward Steichen :: Olympic diver Katherine Rawls getting ready to vive, 1931. Gelatin silver photograph. Published in Vanity Fair. / src: Condé Nast
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Edward Steichen :: Thérèse Duncan, adopted daughter of Isadora Duncan, on the Acropolis, Athens, 1921. From Edward Steichen: Lives in Photography, by Todd Brandow and William A. Ewing, Foundation for the Exhibition of Photography, and the Musee de l’Elysee, Lausanne, 2007. / src: pinterest, original src, thanks to reality asylum
related post, here /
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Edward Steichen :: Thérèse Duncan, Isadora Duncan daughter, at the Acropolis, Athens, 1921 / src: Stephen Ellcock on instagram
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Note: ‘Isadora’s adopted daughter, Thérèse, agreed to pose for
Steichen’s camera, and, in his autobiography, he described their session which produced more interesting results: “She was a living reincarnation of a Greek nymph. Once, while photographing the Parthenon, I lost sight of her, but I could hear her. When I asked where she was, she raised her arms in answer. I swung the camera around and photographed her arms against the background of the Erechtheum.”’
(A Life in Photography, chap. 6). source of text

Edward Steichen :: Thérèse Duncan, adopted daughter of Isadora Duncan, at The Parthenon, Athens, 1921 / src: La Petite Melancolie (now deactivated)
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Edward Steichen :: Wind Fire –
Thérèse Duncan, adopted daughter of Isadora Duncan,
on the Acropolis, 1921 / source adski_kafeteri via
billyjane
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Edward Steichen ::
Isadora Duncan
standing in the portico of the Parthenon
in Athens, 1921. The famed dancer Isadora Duncan produced a poetic gesture mimicking the classical architecture surrounding her. / source: The Toledo Museum of Art / related post, here
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