Margate by Warburg, 1900s

John Cimon Warburg :: 'Margate Sands', ca. 1910, autochrome. | src V&A South Kensington
John Cimon Warburg :: ‘Margate Sands’, ca. 1910, autochrome. | src V&A South Kensington
John Cimon Warburg :: 'Margate Sands', ca. 1910, autochrome. | src V&A South Kensington
John Cimon Warburg :: ‘Margate Sands’, ca. 1910, autochrome. | src V&A South Kensington
John Cimon Warburg :: 'Child Bathing, Margate', ca. 1909, autochrome. | src V&A Museum
John Cimon Warburg :: ‘Child Bathing, Margate’, ca. 1909, autochrome. | src V&A Museum
John Cimon Warburg :: Margate, ca. 1909, autochrome. | src V&A Museum
John Cimon Warburg :: Margate, ca. 1909, autochrome. | src V&A South Kensington
John Cimon Warburg :: 'Cloud and Cliff', ca. 1909, autochrome. | src V&A Museum
John Cimon Warburg :: ‘Cloud and Cliff’, ca. 1909, autochrome. | src V&A Museum
John Cimon Warburg :: 'The Last Digger', ca. 1909, autochrome. | src V&A Museum
John Cimon Warburg :: ‘The Last Digger’, ca. 1909, autochrome. | src V&A Museum
John Cimon Warburg :: 'The Last Digger', ca. 1909, autochrome. | src V&A Museum
John Cimon Warburg :: ‘The Last Digger’, ca. 1909, autochrome. | src V&A Museum

Warburg by Warburg, ca. 1910

John Cimon Warburg :: Wild Flowers, ca. 1910. Autochrome. Photograph of Joan, the photographer's daughter, shown three-quarter length, standing in front of red wall paper. | src V&A Museum
John Cimon Warburg :: Wild Flowers, ca. 1910. Autochrome. Photograph of Joan, the photographer’s daughter, shown three-quarter length, standing in front of red wall paper. | src V&A Museum
John Cimon Warburg :: Marsh Marigolds, ca. 1910. Autochrome. | src V&A Museum
John Cimon Warburg :: Marsh Marigolds, ca. 1910. Autochrome. | src V&A Museum
John Cimon Warburg :: ‘The Sunny Doorway’, ca. 1909, autochrome. | src V&A Museum
John Cimon Warburg :: 'Peggy by the Orange Tree', Autochrome, 1909. Photograph of a full length portrait of Warburg's daughter Peggy standing beside an orange tree. She wears a white dress and holds a white hat in her hand. She holds onto the orange tree with her other hand. | src V&A Museum
John Cimon Warburg :: ‘Peggy by the Orange Tree’, Autochrome, 1909. Photograph of a full length portrait of Warburg’s daughter Peggy standing beside an orange tree. She wears a white dress and holds a white hat in her hand. She holds onto the orange tree with her other hand. | src V&A Museum
John Cimon Warburg :: ‘Joan in Red Riding Hood Cape with Basket’, autochrome, 6 November 1907. | src V&A Museum
Photograph of a near full length potrait of Warburg’s daughter Joan dressed in a Red Riding Hood cape. She stands beside a bush of white daisies. Warburg has annotated the plate with details regarding how the photograph was made.

Jules Antoine group portraits

Jules Antoine (1863-1948) :: Groupe d’enfants avec une nourrice devant un filet de tennis, raquettes à la main. Positif couleur transparent; Support verre; Procédé Autochrome, 1905-1912. | src Les Fonds de la MAP
Jules Antoine (1863-1948) :: Groupe devant une cabine de plage, Marthe Antoine en arrière-plan, le second mari de Marie-Louise Roussel-Bruyère à gauche, 1905-1912. | src Les Fonds de la MAP
Jules Antoine (1863-1948) :: Groupe assis sur une dune : Marthe Antoine à droite, Jean Antoine à gauche, un petit garçon au centre entre deux femmes, 1905-1912. | src Les Fonds de la MAP
Jules Antoine (1863-1948) :: Groupe portrait. Marthe et Jean Antoine avec leurs cousins devant une cabine de plage. Positif couleur transparent; Support verre; Procédé Autochrome. 1905-1912. | src Les Fonds de la MAP

Tulips, ca. 1911 (Clara Sipprell)

Clara Sipprell (1885-1975) :: Tulips, ca. 1911. Glass transparency. Additive color screen plate(*). | src Amon Carter Museum
Clara E. Sipprell :: Tulips, ca. 1911. Glass transparency. Additive color screen plate(*). | src Amon Carter Museum of American Art

(*) Additive Color Screen Plate or Screen Plate were known commonly by the product name: Autochrome, Filmcolor, Lumicolor, Alticolor. Used mainly between 1907 and 1935. Initially it has a glass support; later products on film supports. This process was the first fully practical single-plate color process. The Autochrome plate or Screen plate could record both saturated and subtle colors with fidelity, and since the screen and the image were combined, there were no registration problems. Nonetheless, it had its drawbacks: the exposure times were long, and the processed plates were very dense, transmitting only less than the 10% of the light reaching them.

The result is a soft, subdued, dreamy colored image. And grainy. Although the starch grain filters were microscopically small their random distribution meant that inevitably there would be clumping of grains of the same color.

La pépinière déserte, 1903

La pépinière déserte, Nancy, France, 31/12/1903. Unknown photographer. | src ENSAD Nancy
La pépinière déserte, Nancy, France, 31/12/1903. Unknown photographer. | src ENSAD Nancy

Ladies in red (Autochromes)

Charles Adrien :: [Étude de nu], 1907-1930. Plaque de verre Autochrome. Images en ligne de la Société française de photographie
Charles Adrien :: [Étude de nu], 1907-1930. Plaque de verre Autochrome. (src)
Images en ligne de la Société française de photographie
Georges Balagny :: [Femme assise sur un sofa, voile rouge sur la tête]. Plaque de verre Autochrome. (src) 
Images en ligne de la Société française de photographie
Georges Balagny :: [Femme assise sur un sofa, voile rouge sur la tête]. Plaque de verre Autochrome. (src)
Images en ligne de la Société française de photographie

Paul Bergon :: [Femme posant les seins dénudés], 1907-1912. Plaque de verre Autochrome. (src) 
Images en ligne de la Société française de photographie
Paul Bergon :: [Femme posant les seins dénudés], 1907-1912. Plaque de verre Autochrome. (src)
Images en ligne de la Société française de photographie
Paul Bergon :: [Femme posant, allongée devant un fenêtre, les seins nus], 1907-1912. Plaque de verre Autochrome. (src) 
Images en ligne de la Société française de photographie
Paul Bergon :: [Femme posant, allongée devant un fenêtre, les seins nus], 1907-1912. Plaque de verre Autochrome. (src)
Images en ligne de la Société française de photographie

Flower vendors in autochrome

Plaque autochrome. Boulevard de la Madeleine. © Musée départemental Albert Kahn, Inv A014361. | src l’œil de la photographie
Jules Gervais-Courtellemont :: A woman stands in front of her flower stand on the Ramblas in Barcelona, March 1929. | src National Geographic collection

Daydreams, 1909, autochrome

John Cimon Warburg :: 'Daydreams', 1909, autochrome. | src The Royal Photographic Society Collection at the V&A museum
John Cimon Warburg :: ‘Daydreams’, 1909, autochrome. | src The Royal Photographic Society Collection at the V&A museum
John Cimon Warburg :: 'Daydreams', 1909, autochrome. | src The Royal Photographic Society Collection at the V&A museum
John Cimon Warburg :: ‘Daydreams’, 1909, autochrome. | src The Royal Photographic Society Collection at the V&A museum

Snowdrops autochromes, ca. 1910

Hugh C. Knowles :: Flowers in a field, ca. 1910. Autochrome. | src The Royal Photographic Society Collection at the V&A Museum
Hugh C. Knowles :: Flowers in a field, ca. 1910. Autochrome. | src The Royal Photographic Society Collection at the V&A Museum
Hugh C. Knowles :: Snowdrops (top) · Garden study (bottom), England, ca. 1910. Autochromes. | src The Royal Photographic Society Collection at the V&A Museum
Hugh C. Knowles :: Snowdrops (top) · Garden study (bottom), England, ca. 1910. Autochromes. | src The Royal Photographic Society Collection at the V&A Museum
Hugh C. Knowles :: Flower studies, England, ca. 1910. Autochromes. | src The Royal Photographic Society Collection at the V&A Museum
Hugh C. Knowles :: Flower studies, England, ca. 1910. Autochromes. | src The Royal Photographic Society Collection at the V&A Museum