The dancer by Robert Eskridge Robert Lee Eskridge (1891-1975) :: The Dancer, n.d., drypoint on paper. | src Smithsonian American Art Museum
Lying Figure, 1926 Max Pollak :: Lying Figure, 1926. Drypoint, etched on copper plate made from discarded WWI ammunition shell. | src Annex Galleries
Spindelmuhle (Bohemia), ca. 1920 Max Pollak :: Spindelmuhle (Bohemia), ca. 1920. Drypoint, printed chine colle. | src Annex Galleries
Winter in Ausee, ca. 1910 Max Pollak :: Bei Aussee (Near Aussee), aka Winter in Ausee, ca. 1910. Drypoint and aquatint in blue-black ink. src Annex Galleries
Near Mariazell, ca. 1920 Max Pollak :: Bei Mariazell | Near Mariazell, ca. 1920. Drypoint, printed chine colle. | src Annex Galleries
Near Mariazell (II), 1920 Max Pollak :: Bei Mariazell II (Near Mariazell II), 1920. Drypoint, printed chine colle. | src Annex Galleries
Dancer Anna Duncan, ca. 1926 Max Pollak :: Dancer Anna Duncan, ca. 1926. Color drypoint and aquatint. | src Annex Galleries
Kitty Starling, ca. 1925 Max Pollak :: Die Tanzerin Kitty Starling, ca. 1925. Drypoint with hand applied color. | src Annex Galleries
Kitty Starling, ca. 1924 Max Pollak :: Kitty Starling. Farbige Kaltnadelarbeit (colored drypoint). Die Graphischen Künste. Gesellschaft für Vervielfältigende Kunst (editor), Wien, 1924. | src Universitätsbibliothek Heidelberg
Napierska (II), ca. 1920 Max Pollak :: Napierska (II), ca. 1920. Drypoint with color aquatint. | src Annex Galleries