Maxfield Parrish :: Scribner’s Magazine (Poster), August, 1897. From: Posters; a critical study of the development of poster design in continental Europe, England and America by Charles Matlack Price (1913) New York: G.W. Bricka. | src Smithsonian Libraries @ internet archiveMaxfield Parrish :: Scribner’s, August 1897 (Poster, chromolithograph) | src MFA Boston
John Cecil Clay :: Dramatic Mirror Cover, December 1907. From: Posters; a critical study of the development of poster design in continental Europe, England and America by Charles Matlack Price (1913) New York: G.W. Bricka. | src Smithsonian Libraries @ internet archive
Yoshio Markino :: Autumn. From: Posters; a critical study of the development of poster design in continental Europe, England and America by Charles Matlack Price (1913) New York: G.W. Bricka. | src Smithsonian Libraries @ internet archive
J. W. Simpson :: The Book of Bookplates (1900). From: Posters; a critical study of the development of poster design in continental Europe, England and America by Charles Matlack Price (1913) New York: G.W. Bricka. | src Smithsonian Libraries @ internet archive
Alphonse Mucha :: Médée (Sarah Bernhardt), 1898. From: Posters; a critical study of the development of poster design in continental Europe, England and America by Charles Matlack Price (1913) New York: G.W. Bricka. | src Smithsonian Libraries @ internet archive
Gaetano Piccini :: Grotesque Head with a Large Ear and an Open Mouth Looking to the Right within a Circle, 1727. Pen and brown ink. (Photo: Sepia Times – Universal Images Group). | src and hi-res Getty Images
Egon Schiele :: Kind mit Nimbus auf einer Blumenwiese, um 1909. Bleistift, Tusche laviert, auf Zeichenpapier. | Child with a nimbus on a flower meadow, around 1909. Pencil, washed ink, on drawing paper. | src Albertina Museum Online Collection 1909 entwirft Egon Schiele für die Wiener Werkstätte einige Postkarten, die allerdings nie gedruckt wurden. Stilistisch sind diese Postkartenentwürfe eng miteinander verwandt. Ihr radikaler Flächenstil macht sie trotz ihres kleinen Formats zu Hauptwerken Schieles aus seiner Jugendstilphase. (In 1909 Egon Schiele designed some postcards for the Wiener Werkstätte, which were never printed. Stylistically, these postcard designs are closely related to one another. Despite their small format, their radical surface style makes them one of Schiele’s main works from his Art Nouveau phase.) quoted from Albertina Collection Online
Sixième Saison des Ballets Russes, 1911. Organisée par M. Serge de Diaghilew. Théâtre du Châtelet. «Narcisse». Divinité inférieure (Aquarelle de Léon Bakst) Comœdia Illustré. | src BnF