Les Foll’Modes. Chapeau de Printemps. Modèle de Vallée. Dessinateurs et humoristes. Armand Vallée [défets d’illustrations de périodiques], 1923-1930. | src BnF
Sous la brise du large: [deux défets de] “Fantasio”. Le Bel Oiseau. Dessin de A. Vallée. Dessinateurs et humoristes. Armand Vallée [défets d’illustrations de périodiques], 1923-1930. | src BnF
Romain De Tirtoff ‘Erté’ (1892-1990) :: Gloria Swanson, signed ‘Erté’ (lower right) and with initials ‘G.S’ (lower left) also with studio stamp (on the reverse), pencil and bodycolour. | src Christie’s
An Adrian costume design for Myrna Loy for What Price Beauty? (1925) Pathé Exchange, 1925. Pencil and gouache on illustration board, signed at lower right, (“Adrian”), and inscribed on lower left: “Birthday Greeting / Myrna Loy.” The drawing, which depicts a blonde Myrna Loy in a sleek black gown with low gold sash, was executed for the Natacha Rambova-written and produced silent. This was one of the earliest film appearances of Myrna Loy, who played an exotic vamp, and among the earlier films for which Adrian designed costumes. | src Bonhams
Georges Seurat :: Roses in a Vase, 1881-1883. Black Conté crayon on ivory laid paper, discolored to tan, edge mounted on tan wove paper. | src Chicago Art Institute
Georges Seurat :: The Zone (Outside the City Walls), 1882–83. Black ‘Conté’ crayon on cream laid paper. Seurat created the majority of his drawings with a greasy, medium-hard black crayon called Conté on thick Michallet paper with a pronounced texture. | src Chicago Art Institute
Georges Seurat :: Seated Woman with a Parasol (study for A Sunday on La Grande Jatte), 1884-1885. Black Conté crayon on ivory laid paper. | src Chicago Art Institute
Remedios Varo ~ La creación de las aves, 1957. Oil on canvas | src MAMMRemedios Varo ~ Sin título (Bosquejo de la Creación de las aves, 1957) | src MAM ~ Museo de Arte Moderno (Mexico)Remedios Varo ~ La creación de las aves, 1957. Oil on canvas (DETAIL) | src MAMM