Tag: drawing

Dancer Lea Niako, 1928

un regard oblique 1920s, António Soares, Antonio Soares, dancer, Tänzerin, danseuse, danzatrice, bailarina, illustration, dessin, drawing, etching, drypoint, aquatint, gouache, watercolor, Zeichnung, Entwurf, disegno, illustrazione, portrait, Porträt, retrato, ritratto, portret, retrat, Bildnis Leave a comment 5 February, 20215 February, 2021 1 Minute

La Luxure, 1925

**George Barbier ::** La Luxure, aus dem Mode-Almanach ‘Falbalas et Fanfreluches 1925’. | src MK&G

un regard oblique 1920s, design, graphic design, costume design, fashion design, female nude, nu féminin, weiblicher Akt, nudo femminile, desnudo femenino, nu femení, George Barbier, Georges Barbier, illustration, dessin, drawing, etching, drypoint, aquatint, gouache, watercolor, Zeichnung, Entwurf, disegno, illustrazione, nude, Akt, nu, desnudo, nudo Leave a comment 4 February, 2021 1 Minute

‘Le Jour et la Nuit’, 1922

**George Barbier ::** ‘Le Jour et la Nuit’, aus dem Mode-Almanach ‘Falbalas et Fanfreluches 1922’. | src MK&G

un regard oblique 1920s, design, graphic design, costume design, fashion design, George Barbier, Georges Barbier, illustration, dessin, drawing, etching, drypoint, aquatint, gouache, watercolor, Zeichnung, Entwurf, disegno, illustrazione Leave a comment 4 February, 2021 1 Minute

«Les chansons de Bilitis», 1922

«Les chansons de Bilitis» traduit du grec par Pierre Louÿs , ill. de George Barbier, gravées sur bois par François-Louis Schmied. Pierre Corrard, Paris, 1922. | src BnF

Les Mystères, 1922

Les Mystères. «Les chansons de Bilitis» traduit du grec par Pierre Louÿs , ill. de George Barbier, gravées sur bois par François-Louis Schmied. Pierre Corrard, Paris, 1922. | src BnF

Falbalas et Fanfreluches, 1920s

‘Falbalas & Fanfreluches / 5 éme année / Almanach Des Modes Présentes, Passées & Futures Pour 1924 / Meynial éditeur Paris’ / src V&A Museum (Hand-coloured engraving) Title-plate (detail)

**George Barbier ::** ‘Falbalas et Fanfreluches. Almanach des Modes présentes passées et futures pour 1923’. Titelblatt des Mode-Almanachs für das Jahr 1923. Meynial éditeur, Paris. | src MK&G

‘Falbalas & Fanfreluches / 5 éme année / Almanach Des Modes Présentes, Passées & Futures Pour 1926 / Meynial éditeur Paris’ / src V&A Museum (Hand-coloured engraving) Title-plate

Nude with four lights, 1918

**František Kobliha ::** Ženský akt se čtyřmi svítidly (Z cyklu Ženy mých snů), 1918, litografie, japan papier. Landesmuseum Niederösterreich. | src Meisterwerke aus der Sammlung Patrik Šimon

un regard oblique 1910s, female nude, nu féminin, weiblicher Akt, nudo femminile, desnudo femenino, nu femení, František Kobliha, Frantisek Kobliha, illustration, dessin, drawing, etching, drypoint, aquatint, gouache, watercolor, Zeichnung, Entwurf, disegno, illustrazione, nude, Akt, nu, desnudo, nudo 1 Comment 30 January, 2021 1 Minute

Woman with a Snake ~ Kobliha

**František Kobliha** (1877 – 1962) ~ Woman with a Snake ~ Salambo (“Frauen meiner Träume” (Women of My Dreams), 1909–1918, Lithographie, Papier). From “Unbekannte Moderne”. Landesmuseum Niederösterreich. | src Patrik Šimon Sammlung

**František Kobliha** (1877 – 1962) ~ From the Cycle Women of my Dreams. Wood engraving on handmade paper, mounted on paper, mark on the bottom left, signed bottom right in pencil: F. Kobliha. | src Arthouse Hejtmanek

Lying Figure, 1926

un regard oblique 1920s, female nude, nu féminin, weiblicher Akt, nudo femminile, desnudo femenino, nu femení, illustration, dessin, drawing, etching, drypoint, aquatint, gouache, watercolor, Zeichnung, Entwurf, disegno, illustrazione, Max Pollak, Max Pollack, nude, Akt, nu, desnudo, nudo, vue de dos, view from behind, von hinten gesehen, vista posterior, Rückseite, back to camera Leave a comment 28 January, 2021 1 Minute

Spindelmuhle (Bohemia), ca. 1920

un regard oblique 1920s, illustration, dessin, drawing, etching, drypoint, aquatint, gouache, watercolor, Zeichnung, Entwurf, disegno, illustrazione, landscape, paesaggio, panorama, paisaje, paisatge, Landschaft, paysage, Max Pollak, Max Pollack Leave a comment 28 January, 2021 1 Minute

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