Grit Hegesa by Perscheid

Nicola Perscheid ~ Tänzerin Grit Hegesa (1891-1972), Rollenporträt, 1917. In: Die Dame 16/1917 | src getty images
Nicola Perscheid ~ Tänzerin Grit Hegesa (1891-1972), Rollenporträt, 1917. In: Die Dame 16/1917 | src getty images

Exercising in the Trümpy school

Alfred Eisenstaedt ~ Women doing exercises in the Trümpy school, 1934. Published in Die Dame 9/1934 | src getty images
Alfred Eisenstaedt ~ Woman doing exercises in the Trümpy school, 1934. Published by Die Dame 9/1934 | src getty images
Alfred Eisenstaedt ~ Woman doing exercises to make the hip elastic and to develop a sense of equilibrium according to the Trümpy school, 1934. Published in Die Dame 9/1934 & Bazar 4/1935 | src getty images
Alfred Eisenstaedt ~ Women doing exercises in the Trümpy school, 1934 | src getty images
Alfred Eisenstaedt ~ Woman doing exercises in the Trümpy school, 1934 | src getty images

Zinaida Reich Meyerhold · 1920s

James E. Abbe ~ Zinaida Nikolayevna Raikh (or Reich) (1894-1939) second wife of Vsevolod Meyerhold; portrait in gown with fan, 1928. Published by ‘Die Dame’ 26/1928 | src getty images
Zinaida Reich as Phosphoric Woman in ‘The Bathhouse’. Photo by Alexey Temerin, USSR, 1930 | src soviet visuals on twitter & Fb

Approximately by the time this photo was taken Joseph Stalin was launching his campaign to compel all Soviet artists to observe the rules of ‘socialist realism’. The hunting took a step further and the Meyerhold weren’t the exception. In this new scenario of persecution there was no room for avant-gardists; it did not matter at all that he was one of the first prominent Russian artists to welcome the Bolshevik Revolution.

Reich and Meyerhold married in 1922 after Meyerhold return to Moscow and the foundation of his own theater in 1920, which was known from 1923 to 1938 as the Meyerhold Theatre. In the 1930s the Stimmung became more and more toxic and after Shostakovich had been singled out as being guilty of ‘formalism’, in January 1936, Meyerhold evidently surmised that he would soon be a target, and in March 1936 delivered a talk entitled “Meyer against Meyerholdism”.

A year later, in April 1937, his wife, Zinaida Reich, wrote Stalin a long letter alleging that her husband was the victim of a conspiracy by Trotskyists and former members of the disbanded Russian Association of Proletarian Writers.

In June 1939, Meyerhold was arrested in Leningrad (the 20th). Three weeks later two assailants stabbed Reich to death at the couple’s apartment in Moscow (July 14-15th). The murder is generally regarded as having been organized by the NKVD (People’s Commissariat for Internal Affairs). According to Arkadiy Vaksberg: “Beria needed this sadistic farce” because the actress was extraordinarily popular, independent, outspoken and known for saying: “if Stalin can make no sense of art, let him ask Meyerhold, and he will explain” (Toxic Politics; 2011)

Following his arrest, Meyerhold was taken to NKVD headquarters in Moscow and tortured repeatedly. But it was not until the 1st February 1940 after his “confession” of being a British or Japanese spy that he was sentenced to death by firing squad and executed the next day.

The images of this post are from an earlier, brighter era for the Meyerhold and in the USSR.

Soviet actress Zinaida Reich as Phosphoric Woman in ‘The Bathhouse’. Play by Vladimir Mayakovsky, production by Vsevolod Meyerhold. Photo by Alexey Temerin, USSR, 1930 | src soviet visuals on twitter & Fb

Berber by Binder in Die Dame 1927

Atelier Binder ~ German actress and dancer Anita Berber (1899-1928). Published in ‘Die Dame’ 5/1927 | src getty images
Atelier Binder ~ German actress and dancer Anita Berber, ca. 1927 (detail)

Fritta Brod by Hess sisters

Nini & Carry Hess :: German actress Fritta Brod (1896-1988) in the play ‘The Chalk Circle’ by Klabund (pseudonym of Alfred Henschke), Staatstheater, 1930. (Photo by Nini & Carry Hess) | src Getty Images
Nini & Carry Hess :: Fritta Brod, Schauspielerin, role-picture with a hat, 1919. Published by: ‘Die Dame’ 21/1919. | src Getty Images

A No-dancer by von Bucovich

Studie einer japanischen No-Tänzerin | Aufnahme v. Bucovich, Atelier Karl schenker. Zeitschrift Die Dame, um 1926 | Museum für angewandte Kunst Wien (MAK)
Mario von Bucovich :: Studie einer japanischen No-Tänzerin, ca. 1926. | Museum für angewandte Kunst Wien
Studie einer japanischen No-Tänzerin | Aufnahme v. Bucovich, Atelier Karl schenker. Zeitschrift Die Dame, um 1926 | Museum für angewandte Kunst Wien (MAK)
Mario Von Bucovich :: Berlin, 1927. Tirage argentique 21,5x16cm. Courtesy Galerie Lumière des Roses | l’oeil de la photographie

Leontine Sagan, ca. 1926

Nini & Carry Hess :: Actress and director Leontine Sagan (1889-1974, nee: Leontine Schlesinger) as ‘Guelnare’ in the play ‘Der Traum ein Leben’ by Franz Grillparzer, at Neues Theater, Frankfurt am Main. Published by ‘Die Dame’ 26.01.1925. | src Getty Images

Ilse Schmidt (1933) by Munkácsi

Martin Munkácsi :: Tänzerin und Schauspielerin Dinah Grace bei einer Übung (Dinah Grace at a practice), 1933. Erschienen: Die Dame 26/1933. Fotografie: Martin Munkacsy. | src Getty Images
Martin Munkácsi :: Tänzerin und Schauspielerin Dinah Grace macht einen Handstand auf einer Bühne (performing a handstand on stage), 1933. Erschienen: Die Dame 26/1933. Fotografie: Martin Munkacsy. | src Getty Images

Dinah Grace (1933) by Munkácsi

Martin Munkacsi :: Tänzerin und Schauspielerin Dinah Grace (eigentlich Ilse Schmidt, 1918-1963). Porträt bei einer Übung [Portrait at a practice]. Erschienen: Die Dame 26/1933. Foto: Martin Munkacsy. | src Getty Images
Martin Munkacsi :: Tänzerin und Schauspielerin Dinah Grace (eigentlich Ilse Schmidt, 1918-1963). Porträt bei einer Übung [Portrait at a practice]. Erschienen: Die Dame 26/1933. Foto: Martin Munkacsy. | src Getty Images
Martin Munkacsi :: Tänzerin und Schauspielerin Dinah Grace (eigentlich Ilse Schmidt, 1918-1963). Porträt bei einer Übung [Portrait at a practice]. Erschienen: Die Dame 26/1933. Foto: Martin Munkacsy. | src Getty Images
Martin Munkacsi :: Tänzerin und Schauspielerin Dinah Grace (eigentlich Ilse Schmidt, 1918-1963). Porträt bei einer Übung [Portrait at a practice]. Erschienen: Die Dame 26/1933. Foto: Martin Munkacsy. | src Getty Images
Martin Munkacsi :: Tänzerin und Schauspielerin Dinah Grace (eigentlich Ilse Schmidt, 1918-1963). Porträt bei einer Übung [Portrait at a practice]. Erschienen: Die Dame 26/1933. Foto: Martin Munkacsy. | src Getty Images

Dancer Rumnev or Rumnieff, 1924

Nini & Carry Heß :: The Russian dancer Aleksandr Aleksandrovich Ziakin (1899-1965), known as Rumnev or Rumnieff. Published in ‘Die Dame’ 21/1924. | src Getty Images
Nini & Carry Hess :: Alexander Rumnev (Tänzer), 1924, ullstein bild collection. | src Museum Giersch der Goethe-Universität