Tag: depth of field

Nude with flowers by Arbeit

Mark Arbeit ~ Lily Back, 1997. Gelatin silver print on Hahnemühle Baryta paper | src artsy
Mark Arbeit ~ Iris, 1986. Gelatin silver print on Hahnemühle Baryta paper | src artsy

Groteske (Tanz), um 1927

dancer bending backwards 1920s
Martin Imboden :: "Groteske", Zürich, um 1927 (close up). | src Sammlung Fotostiftung Schweiz
Martin Imboden :: “Groteske”, Zürich, um 1927 (close up). | src Sammlung Fotostiftung Schweiz
Martin Imboden :: "Groteske", Zürich, um 1927 (full size). | src Sammlung Fotostiftung Schweiz
Martin Imboden :: “Groteske”, Zürich, um 1927 (full size). | src Sammlung Fotostiftung Schweiz

Rosenelli Lunatcharski, ca. 1928

Rolf Mahrenholz :: Rosenelli Lunacharsky, wife of Anatoly Vasilyevich Lunacharsky, Soviet People’s Commissar, wearing an evening dress, ca. 1928. Published in ‘Der Querschnitt‘ 06/1928 | src Getty Images
Ralf (sic) Mahrenholz :: Rosenelli Lunatcharski (sic) wearing an evening dress, circa 1928. | src Lumas
Die eleganteste Frau im heutigen Rußland: Frau Lunatscharskaja, die Gattin des russischen Volkskommissars
[Frauen, von deren Männern man spricht] in UHU Magazin Band 4 Heftnummer 6, März 1928

The most elegant woman in Russia today: Mrs. Lunacharskaya, the wife of the Russian People’s Commissar [From : Women whose husbands are spoken of] in Uhu Magazine, March 1928

Rose blanche et vase, 1951-1952

Josef Sudek :: Rose blanche et vase (White rose in vase), 1951-1952. Vintage gelatin silver print on matte paper.
Signed, dated 1952 and dedicated in ink below image. This rich autographed print, one of Sudek’s recurring motifs, was a wedding gift to a friend and his wife. A variant is conserved in the collection of the Art Gallery of Ontario. | src Binoche et Giquello via l’œil de la photographie

Les Nus de Drtikol



František Drtikol :: Female nude, 1927. Pigment print; printed ca. 1927. Photographer’s blind-stamp on print recto. Signed and dated in pencil on mount recto. Photographer’s credit and annotations in ink, and numeric annotations in pencil and colored pencil on mount verso. | src l’oeil de la photographie

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