Louis Fleckenstein :: [Two Women Dancing in the Woods], 1907–1943. | src The J. Paul Getty MuseumLouis Fleckenstein :: [Dancers in Garden], 1907–1943. | src The J. Paul Getty MuseumLouis Fleckenstein :: [Dancers in Garden], 1907–1943. | src The J. Paul Getty MuseumLouis Fleckenstein :: [Dancers in Garden], 1907–1943. | src The J. Paul Getty MuseumLouis Fleckenstein :: [Dancers in Garden], 1907–1943. | src The J. Paul Getty MuseumLouis Fleckenstein :: [Dancers in Garden], 1907–1943. | src The J. Paul Getty MuseumLouis Fleckenstein :: [Dancers in Garden], 1907–1943. | src The J. Paul Getty Museum
Jack Mitchell :: Dancer and choreographer Twyla Tharp in 1963, the year she joined the Paul Taylor Dance Company. Credit Jack Mitchell-Getty Images. | src The New York Times
Bodenwieser Ballet performance of Blue Danube Waltz, with Moira Claux, Elaine Vallance, Nina Bascolo and Biruta Apens, 1953. | src National Library of Australia
Junon et Pallas. Danseuses Yvonne Franck (à gauche, Pallas) et Yvonne Daunt (à droite, Junon), dans “Ascanio” à l’Opéra de Paris. Chorégraphie de Léo Staats. Novembre 1921. Négatif sur verre. | src Agence photographique RolJunon et Pallas. Danseuses Yvonne Franck (à gauche, Pallas) et Yvonne Daunt (à droite, Junon), dans “Ascanio” à l’Opéra de Paris. Chorégraphie de Léo Staats. Novembre 1921. Négatif sur verre. [Full image] | src Agence photographique Rol
Elli Marene :: Tänzerischer Nachwuchs aus Tokio. Kinder des Prof. Hirota. «Die neue Wigman-Schule im Berlin». Die Bühne 1929, Heft 226, Seite 38. | src ÖNB
Nicoletta Misler: The Russian Art of Movement 1920-1930 Umberto Allemandi & Co. (January 2018) One of the many mages from the book that represent the role of movement in dance, in gymnastics, in Russian Avant-garde. The book is the result of research that began in the late 1970s and culminated in the 2011 publication in Moscow of V Natsjale Bilo Telo (In the Beginning was the Body), on the 1920s experiments in movement in the Soviet Union. | src Allemandi