Tag: danseuse

Ellen Tels von Hugo Erfurth

Hugo Erfuth :: Austrian dancer Ellen Tels-Rabanek, undated. (probably late 1910s) | src art·galerie
Hugo Erfuth :: Austrian dancer Ellen Tels-Rabanek, undated. (probably late 1910s) | src art·galerie
Hugo Erfuth :: Austrian dancer Ellen Tels-Rabanek, undated. (probably late 1910s) | src art·galerie
Hugo Erfuth :: Austrian dancer Ellen Tels-Rabanek, undated. (probably late 1910s) | src art·galerie

Miss Lerol, UHU, 1926

Lucien Waléry :: «Miss Lerol, eins der berühmt gewordenen Hoffmann-Girls, die die tänzerische Exaktheit der Tillergirls mit akrobatischer Gelenkigkeit verbinden.» Published in UHU magazine Heft 8, May 1926. | src UHU

Rosalia Chladek, 1928

Atelier Kolliner (Wien) :: R. Chladek dancing the Präludium from A. Corelli’s Klagelied at the Hellerau-Laxenburg School, 1928

Stamped on the photograph: “Atelier Kolliner Wien”. Catalogue of the fourth “Art of Movement” exhibition, 1928, within Nos. 451-452 or 522-23. Collection of Pavel Khoroshilov, Moscow. | source Nicoletta Misler’s The Russian Art of Movement

Dancer with pole, 1920s

Lotte Eckener (Atelier Alexander Binder) :: Tänzerin mit Stange, 1920s. | src Coll. Dorothea Cremer-Schacht via Fotografie am Bodensee

“Lotte Eckener was born in Friedrichshafen in 1906 to the famous airship pioneer Hugo Eckener. In 1924 she moved to Munich to study at the Bavarian State School of Photography. Her first professional stop was the renowned Atelier Alexander Binder on Kurfürstendamm, where the great and rich of the golden 20s came and went. She portrayed famous stars like Josef von Sternberg, Helene Thimig and Anny Ondra and took photographs for advertising orders.” quoted from source

The Mask (Josephine Schwarz)

Jane Reece :: Josephine Schwarz, The Maskmaker (aka The Mask), 1924-1929 (signed and dated on bottom right). Courtesy of Special Collections & Archives, Wright State University via Ohio Virtual Dance Collection / Exhibits (2018)

Lubovska, NY Tribune, 1918

Lubovska**, international première danseuse, formerly with the Daghilieff (sic) Ballet. | src NY Tribune, 09/15/1918 page 8
Everything
At the Hippodrome
** Lubowska or Lubovska or Désirée Lubovska, aka Mme Lubowska was the stage name of American dancer Winniefred Foote.

Mura Ziperowitsch, 1920s

Mura Ziperowitsch, Wien, 1920er Jahre, Foto Anonym, O. J. (Anonymous photographer) | src Alles tanzt Ausstellung @ Theatermuseum © KHM-Museumsverband

Role models. Many female dancers dealt with given role structures and criticized gender specific role attributions. The nun is seen as embodiment of a nonsexual woman who dedicates her life to God. Hence the play with the nun’s costume is a game with female physicality and sexuality. Here we meet Mura Ziperowitsch, who by wearing a nun similar costume refers to the female corporality.

source Vienna Pride at Kunsthistorisches Museum Wien