Benjamin Joseph Falk:: Full length portrait of Loie Fuller, for the portrait she was standing still while moving the fabric of her white costume during the exposure, she stood on top of a mirror and was brightly lit, 1896 (marked nº 12) | src The New York Public Library (NYPL) via Getty Images
Portrait of Loie Fuller wearing an early version of her “Serpentine” dress. The photograph features a full length portrait of the dancer kneeling amidst a pile of cushions, with her arms upraised, and a small carved snake clasped in her right hand. Her skirt, which is decorated with repeated images of snakes, is raised up and spread out in a wide circle behind her, date unknown, late 1890s. | src V&A Museum
Ekaterina Galanta (Ketty de Galantha). Primera bailarina de carácter del Teatro Colón (Argentina). Published in El Gráfico, nº 111, sábado 13 de agosto de 1921. Front cover. | src wikimedia commons
Henri Manuel (1874-1947) ~ Loïe Fuller in Robert d’Humières’ Tragédie de Salomé at the Théâtre des Arts, Paris, 1907 | src AderHenri Manuel (1874-1947) ~ Loïe Fuller (1862 – 1928) in attrezzo for the Tragedy of Salome, 1896 | src getty images
Benjamin Joseph Falk:: Portrait of stage actress and dancer Loïe Fuller sitting barefoot atop a mirror, 1896 (marked nº 8). | src Washington University Libraries