Ruth Bayton by Atelier Balasz

Atelier Balasz ~ Ruth Bayton of the Folies Wagram. Full lenght portrait in a banana skirt, role-picture in the Revue ‘Der Zug nach dem Westen’ (The Train to the West), 1926. Published in ‘Berliner Morgenpost’ 10.11.1926. | src Getty Images

Margaret Chapple by M. Michaelis

Margaret Michaelis (1902-1985) ~ Margaret Chapple, Sydney, 1950 | src NGA

Margaret Michaelis (1902-1985) ~ Bodenwieser Ballet performance of the handicraft scene in Pilgrimage of Truth, featuring Margaret Chapple, ca. 1950 | src NLA

According to source, the image above may have been a promotional photograph taken for the Bodenwieser Ballet’s tour of South Africa in 1950

Margaret Michaelis (1902-1985) ~ No title [Margaret Chapple in ‘The Imaginary Invalid’], Sydney, 1950 | src NGA
Margaret Michaelis-Sachs (1902-1985) ~ Dancer [Margaret Chapple], Sydney, 1950 | src NGA

Rigmor Rasmussen by Balasz

Atelier Balázs ~ Dancer Rigmor Rasmussen wearing a golden dance costume. Published in ‘Die Dame’ 10/1928 | src getty images

 

 

Shona Dunlop in Cain and Abel

Margaret Michaelis (1902-1985) ~ No title [Shona Dunlop as Cain in ‘Cain and Abel’], Sydney, 1941 | src NGA
Margaret Michaelis (1902-1985) ~ No title [Shona Dunlop as Cain in ‘Cain and Abel’], Sydney, 1941 | src NGA
Margaret Michaelis (1902-1985) ~ No title [Shona Dunlop as Cain in ‘Cain and Abel’], Sydney, 1941 | src NGA
Margaret Michaelis (1902-1985) ~ No title [Shona Dunlop as Cain in ‘Cain and Abel’], Sydney, 1941 | src NGA

Lo Hesse, ca. 1918

Franz Xaver Setzer :: Dancer Lo Hesse, about 1918. (Archiv Setzer-Tschiedel) | src Getty Images
Grainer (München) :: German dancer Lo Hesse | German postcard by Verlag Hans Dursthoff, Berlin, nº 1170. Photo Grainer, Munchen. Collection Didier Hanson | src Flickr

Lo Hesse was active in Munich and Berlin between 1916 and 1920. Her dances relied heavily on extravagantly exotic costumes designed mostly by the German expressionist artist Walter Schnackenberg. | src Flickr

Lo Hesse by Hanns Holdt

Hanns Holdt :: German dancer Lo Hesse. German postcard by Verlag Hans Dursthoff, Berlin, nº 1151. Collection Didier Hanson.

«Lo Hesse was active in Munich and Berlin between 1916 and 1920. Her dances relied heavily on extravagantly exotic costumes designed mostly by the German expressionist artist Walter Schnackenberg.»

Walter Schnackenberg :: Ballet und Pantomime 'Maskerade' (Lo Hesse), plate # 9, ca. 1920. | src 1st dibs
Walter Schnackenberg :: Ballet und Pantomime ‘Maskerade’ (Lo Hesse), plate # 9, ca. 1920. | src 1st dibs

Sasha (Alexander Stewart) ::

Alicia Nikitina & Serge Lifar in Ballets Russes’ La Chatte, 1928. “La
Chatte” (The ‘She’ Cat) is a ten-minute piece
with set and costumes by avant-garde artists Naum Gabo and Antoine
Pevsner.  It was created in 1926-27 for Sergei Diaghilev’s Ballets Russes
and it starred Serge Lifar as the Young Man and Alicia Nikitina and
Olga Spessivtzeva in the title role.  The music was written by Henri
Sauguet and choreographed by George Balanchine. / source: Flickr

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Nude studies of Rigmor Rasmussen

Atelier d’Ora · Benda ~ Nude study of the dancer Rigmor Rasmussen, ca. 1927 | src the art stack
Atelier d’Ora · Benda ~ Nude study of the dancer Rigmor Rasmussen, ca. 1927 | src Leitz photographica auction 8
Atelier d’Ora · Benda ~ Nude study of the dancer Rigmor Rasmussen, ca. 1927 | src Leitz photographica auction 8
Atelier d’Ora · Benda ~ Nude study of the dancer Rigmor Rasmussen, ca. 1927 | src the art stack

Underwood & Underwood :: Russian ballet dancer Alice Nikitina as
La Chatte, 1928 in “La
Chatte” (The ‘She’ Cat), a ten-minute piece
with set and costumes by avant-garde artists Naum Gabo and Antoine
Pevsner. It was created in 1926-27 for Sergei Diaghilev’s Ballets Russes
and it starred Serge Lifar as the Young Man and Alicia Nikitina and
Olga Spessivtzeva in the title role. The music was written by Henri
Sauguet and choreographed by George Balanchine.

/ Photo courtesy: Getty Images

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