Mary Wigman in Maskentanz

«Mary Wigman in ihrem neuen Maskentanz, einer stark bewegten Gruppenszene, in der die Gespenster des Schalachtfeldes lebendig weden» | UHU 1926

Mary Wigman in her new masked dance, a highly moving group scene in which the ghosts of the battlefield come to life. Uncredited photographer. Published in UHU magazine, Heft 8, May 1926 | src UHU ~ Illustrierte Presse

«Mary Wigman in her new masked dance, a highly moving group scene in which the ghosts of the battlefield come to life» | UHU 1926

Nu au voile ~ Burlesque ~ Harlip

Dr. Gregory Harlip :: Burlesque # 3 (Nu au voile - Nu féminin debout), Germany, ca. 1930. Vintage silver print.
Dr. Gregory Harlip :: Burlesque # 3, Germany, ca. 1930. | src anamorfose
Dr. Gregory Harlip :: Burlesque # 4 (Nu au voile - Nu féminin debout), Germany, ca. 1930. Vintage silver print.
Gregory Harlip :: Burlesque # 4, Germany, ca. 1930. Vintage silver print. | src anamorfose and Drouot
Gregory Harlip :: Nu au voile - Nu féminin debout années 1920-1930.
Gregory Harlip :: Nu au voile – Nu féminin debout; années 1920-1930. | src Drouot

Harlip was a photography studio specializing in celebrity portraits and based in London. Until 1937, the Harlip studio had its headquarters on the Kurfürstendamm in Berlin. Afterwards, the Harlips left Berlin due to the growing crackdown on Jewish businesses and moved to London. After Dr. Harlip’s death in 1945, Mrs. Harlip continued the business there as one of the great socialite photographers of the 1950s. / src Drouot

Dr. Gregory Harlip :: Burlesque # 2, Germany, ca. 1930. | src anamorfose
Dr. Gregory Harlip :: Burlesque # 1 (Nu au voile - Nu féminin debout), Germany, ca. 1930. Vintage silver print.
Dr. Gregory Harlip :: Burlesque # 1, ca. 1930. | src anamorfose

Anna Pavlova, ca. 1915

Arnold Genthe :: Anna Pavlowa, about 1915. Gelatin silver print.
«The Russian ballerina Anna Pavlowa (or Pavlova) so greatly admired Arnold Genthe’s work that she made the unusual decision to visit his studio, rather than have him come to her rehearsals. The resulting portrait of the prolific dancer, leaping in mid-air, is the only photograph to capture Pavlowa in free movement. Genthe regarded this print as one of the best dance photographs he ever made.»
src The J. Paul Getty Museum, Los Angeles

Dancer Clotilde von Derp, 1913

Rudolph and Minya Dührkoop :: The Dancer, Clotilde von Derp. (London Salon of Photography).
Published by The Amateur Photographer & Photographic News, vol. LVIII, p. 264, September 22, 1913. | src and high resolution Musée Nicéphore Niépce | related post