Lubowska in the Varieties, 1920

<<Lubowska>>** The Unusual Dancer is now in the Varieties. Unknown
(uncredited) photographer. ** Lubowska or Lubovska or Désirée Lubovska, aka Mme Lubowska was the stage name of American dancer Winniefred Foote. Published in Shadowland, January 1920 issue. | src Internet Archive (LOC)

Masquerade,1924

Maskerade, carnaval. Uit het maskerade-ballet ‘Sand und Wind’ door kunstenaarspaar Anna Wilström en Helmut Lotz, 1924. | Masquerade, carnival. From the masquerade ballet ‘Sand und Wind’ by artist couple Anna Wilström and Helmut Lotz, 1924. Het Leven magazine (leven 022) |src Nationaal Archief

Désirée Lubovska · ca. 1915

Underwood & Underwood :: Portrait of ‘Russian’ dancer Désirée Lubowska [aka Mme Lubowska or Lubovska], full-length portrait, standing, left profile, in Cleopatra costume, 9 September 1915. (Désirée Lubovska was not actually Russian. It was the stage name of American born dancer Winniefred Foote). | src Library of Congress
White Studio (NY) :: Portrait of ‘Russian’ dancer Désirée Lubowska [aka Mme Lubowska or Lubovska], full-length portrait, standing, right profile, in Cleopatra costume, 1915. | src Les sources d’une île

Desiree Lubovska, also Desiree Lubowska, was the professional name of American dancer Winniefred Foote (1893 – 1974). Foote was born in Minnesota. She changed her name, adopted an accent in her speech, and created a backstory of dancing in Russia; she also said that she studied Egyptian art at the British Museum. She went on a diet and fitness regimen in pursuit of a more angular physique, and her dances reflect this focus. ‘I finally felt I was one of them, a reincarnated spirit of the Nile’; she said in a 1921 interview.

Text adapted from the Wikipedia entry (in English)

Ballet dancer Desiree Loubovska / Lubovska. Egyptian dance of mourning taken from tombs of Egypt. Press photo by White Studios (1916) | src Worthpoint ~ Worthopedia

The text “Egyptian dance of mourning taken from tombs of Egypt” can be read on the verso of the photograph, written in pencil amongst the stamps of press agencies.

Ludmilla Speranzewa, 1926

Balletdanseres Ludmilla Speranzewa, 1e danseres Theater te Moskou, die momenteel in Berlijn succesvol is. 1926. Ballet dancer Ludmilla Speranzewa, 1st ballerina at Moscow Theater, who is currently successful in Berlin, 1926. Spaarnestad Photo. Het Leven magazine. | src Het Geheugen

Berber and Droste, 1922

Atelier d’Ora ~ Benda :: Die Tänzer Anita Berber und Sebastian Droste, aus “Die Tänze des Lasters, des Grauens und der Ekstase”, 1922 | Dancers Anita Berber and Sebastian Droste in ‘Dances of Vice, Horror and Ecstasy’, 1922 | src Museum fur Kunst und Gewerbe, Hamburg

Vice, Horror and Ecstasy, 1922

Anita Berber and Sebastian Droste in Martyrs, scene from ‘Dances of Vice, Horror and Ecstasy’. Photographed by Madame d’Ora
© Madame d’Ora /​ Privatsammlung, Wien
Anita Berber und Sebastian Droste in ihres Tanzstücks «Märtyrer». Die Tänze des Lasters, des Grauens und der Ekstase, 1922
foto: Atelier d’Ora, Wien | src Getty Images
Atelier d’Ora ~ Benda ~ Die Verführung des heiligen Sebastian. Die Tänzer Anita Berber und Sebastian Droste, aus “Die Tänze des Lasters, des Grauens und der Ekstase”, 1922
The Seduction of Saint Sebastian. Dancers Anita Berber and Sebastian Droste in ‘Dances of Vice, Horror and Ecstasy’, 1922 |
src MK&G ~ Museum fur Kunst und Gewerbe

Dances of Vice, Horror and Ecstasy, 1922

Atelier d’Ora ~ Benda :: Die Tänzer Anita Berber und Sebastian Droste in der Tanzszene “Märtyrer”, aus “Die Tänze des Lasters, des Grauens und der Ekstase”, 1922 | Dancers Anita Berber and Sebastian Droste in dance scene of “Martyr”, from ‘Dances of Vice, Horror and Ecstasy’, 1922 | src Museum fur Kunst und Gewerbe, Hamburg

Sebastian Droste by Kallmus

Madame d’Ora ~ Der deutsche Tänzer Sebastian Droste, 1922. | German dancer Sebastian Droste, 1922. Probably in ‘Dances of Vice, Horror and Ecstasy’. | src Bildergipfel & Getty Images

On secondary source (Getty Images) there are no photographer’s credits and the image is identified as one from the Archiv Setzer-Tschiedel. Even though, we believe it is a d’Ora photo, it keeps the same style as all her photos from Die Tänze des Lasters, des Grauens und der Ekstase.