Inna Chernetskaia choreography. Calling her direction “synthetic”, Chernetskaia strove to unite dance with painting, music and drama. She herself did the choreography, stage settings and costumes. | src The Calvert Journal (Poetry in Motion)
Lili Baruch :: Dancer, choreographer and actor Harald Kreutzberg. Solo dancer at the Berlin State Opera. Full-figure portrait. Dance study, 1927. Photographer: Lili Baruch. Published in ‘Der Querschnitt’ 05/1927. | src Getty Images
Danseuse Cléo de Mérode dans les danses Cambodgiennes. Album Reutlinger de portraits divers, vol. 6. (1900s). | src Gallica ~ BnFDanseuse Cléo de Mérode dans les danses Cambodgiennes. Album Reutlinger de portraits divers, vol. 6. (1900s). | src Gallica ~ BnFDanseuse Cléo de Mérode dans les danses Cambodgiennes. Album Reutlinger de portraits divers, vol. 6. (1900s). | src Gallica ~ BnFDanseuse Cléo de Mérode dans les danses Cambodgiennes. Album Reutlinger de portraits divers, vol. 6. (1900s). | src Gallica ~ BnFDanseuse Cléo de Mérode dans les danses Cambodgiennes. Album Reutlinger de portraits divers, vol. 6. (1900s). | src Gallica ~ BnF
Photographer unknown. Three studies for the ‘Role of Gesture in a Defined Pose’. One of the assigned research themes at the Choreological Laboratory for 1924-26. | src Nicoletta Misler’s The Russian Art of MovementPhotographer unknown. Three studies for the ‘Role of Gesture in a Defined Pose’. One of the assigned research themes at the Choreological Laboratory for 1924-26. | src Nicoletta Misler’s The Russian Art of MovementPhotographer unknown. Three studies for the ‘Role of Gesture in a Defined Pose’. One of the assigned research themes at the Choreological Laboratory for 1924-26. | src Nicoletta Misler’s The Russian Art of Movement