Toboggan Mann von Lavinia Schulz

Minya Diez-Dührkoop :: Tanzmaske “Toboggan Mann” von Lavinia Schulz. Costume designs by Lavinia Schultz and Walter Holdt for “Bibo”, 1924. | src MK&G · Museum für Kunst und Gewerbe (Hamburg)
Minya Diez-Dührkoop :: Tanzmaske “Toboggan Mann” von Lavinia Schulz. Costume designs by Lavinia Schultz and Walter Holdt for “Bibo”, 1924. | src MK&G · Museum für Kunst und Gewerbe (Hamburg)
Minya Diez-Dührkoop :: Tanzmasken “Toboggan Frau” und “Toboggan Mann” von Lavinia Schulz. Costume designs by Lavinia Schultz and Walter Holdt for “Bibo”, 1924. | src MK&G · Museum für Kunst und Gewerbe (Hamburg)

Dance study by de Meyer

Adolf de Meyer :: [Dance study], ca. 1912. Platinum print | source The Metropolitan Museum of Art via wikimedia commons

It has been suggested that this photograph, the only [known] nude by de Meyer, has some connection to the Ballets Russes, but the nature of that link remains mysterious. The image vibrates with an uneasy erotic tension, a product of the figure’s exposed torso, startled body language, and disguised identity. (quoted from The Met)

image in higher resolution thanks to wikimedia commons

The duplication of images is due to errors in the process of importing files from tumblr (the images were not loaded in hi-res): tumblr post, here

Ira Lagenteels, ca. 1928

Atelier Robertson (1927–1933) :: Dancer Ira Langenteels. From a group of four dance studies (Niddy Impekoven, Ellinor Bahrdt, Trude Engelhart and Ira Langenteels), ca. 1928. Each with the photographer’s studio stamp and handwritten annotations in pencil on the reverse. | src Ostlicht (Westlich) Photo Auction nº 14 (June, 2016)

Niddy Impekoven, ca. 1928

Atelier Robertson (1927–1933) :: Dancer Niddy Impekoven. From a group of four dance studies (Niddy Impekoven, Ellinor Bahrdt, Trude Engelhart, Ira Langenteels), ca. 1928. Each with the photographer’s studio stamp and handwritten annotations in pencil on the reverse. | src Ostlicht (Westlich) Photo Auction nº 14 (June, 2016)